Browse Movie Reviews - Page 1,061 of 258,691

21,201-21,220 of 5,173,807 Reviews

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Review of Causeway (2022)

By Docjock (1) on 22 Nov 2022

Top of their game, Jennifer and Brian. Beautiful film. Nola looking beautiful…

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Review of The Father (2020)

By Coolbr (1) on 22 Nov 2022

Honestly, I was expecting more since it has such a high score. All the movie does it is to make you feel with demmencia. It is very confusing…

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Review of Hector and the Search for Happiness (2014)

By Duro_De_Mamar (1) on 22 Nov 2022

I love this movie, it's emotional, exciting, reflective, engaging and very beautiful it's a movie that makes you think about happiness and…

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Review of The Inspection (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 21 Nov 2022

The Inspection is best appreciated as a showcase for Woodbine and Union, each taking her or his best big screen dramatic role in years and…

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Review of R.I.P.D. 2: Rise of the Damned (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 21 Nov 2022

This is no credit to anybody involved, dull and dumb, badly directed from a really bad script the director took a co-writing credit on…

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Review of Strange World (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 21 Nov 2022

The film’s stumbling unoriginality, cliched characters and intended jokes that land like flops from a constipated greenhouse gassy cow, however…

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Review of BARDO, False Chronicle of a Handful of Truths (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 21 Nov 2022

There are magical moments, and brilliant sequences tossed into this ensalada of a movie…

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Review of Strange World (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 21 Nov 2022

The film’s stumbling unoriginality, cliched characters and intended jokes that land like flops from a constipated greenhouse gassy cow, however…

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Review of She Said (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 21 Nov 2022

Although not on the same high level as certain other chronicles of investigative journalism – All the Presidents Men (Watergate), Spotlight…

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Review of Bones and All (2022)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 21 Nov 2022

Guadagnino has a choice, whether to be an artist or just the maker of artistically rendered, conscientiously realized garbage…

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Review of Bones and All (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 21 Nov 2022

The talented young leads acquit themselves well here, but this is also the kind of movie that provides the forum for not one but two of our…

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Review of Poker Face (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 21 Nov 2022

Poker Face has a lean, cool look, and there are some effective dramatic moments, mostly due to the weight-of-the-old weariness in Crowe’s…

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Review of Strange World (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 21 Nov 2022

It’s a family-friendly fun fest with the expected ingredients of fast-paced action, ingenious visuals, terrific voice performances and, yes,…

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Review of Strange World (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 21 Nov 2022

It’s a family-friendly fun fest with the expected ingredients of fast-paced action, ingenious visuals, terrific voice performances and, yes,…

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Review of BARDO, False Chronicle of a Handful of Truths (2022)

By Stephanie Zacharek (2,333) for Time (1,811) on 21 Nov 2022

The picture still meanders and drags, and sometimes Iñárritu’s lofty ideas come off like a hot-air balloon that deflates and gets stuck…

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Review of EO (2022)

By Stephanie Zacharek (2,333) for Time (1,811) on 21 Nov 2022

There is no more beautiful-looking film this year; shot by Michal Dymek, it often looks lit from within, glowing as softly as a lantern…

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Review of She Said (2022)

By Jluis_001 (2,242) on 21 Nov 2022

The urgency of the subject matter it presents will no doubt cause many to turn their faces away from the more blatant defects of this drama,…

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Review of The Fabelmans (2022)

By Ann Hornaday (1,919) for Washington Post (9,851) on 21 Nov 2022

The Fabelmans does it all, with an expansive spirit and that quintessential Spielbergian combination of honesty and sentiment…

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Review of Glass Onion: A Knives Out Mystery (2022)

By Moira Macdonald (1,892) for The Seattle Times (964) on 21 Nov 2022

You watch “Glass Onion” relaxed, feeling like you’re in good hands; everyone on-screen is clearly having a wonderful time, so you can’t…

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Review of Nanny (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 21 Nov 2022

The film, despite being mostly set in a huge, expensive apartment that inexplicably seems to be illuminated only by low-wattage lightbulbs,…

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