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Review of EO (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 21 Nov 2022

It's as much an anthropological pseudo-documentary as it is a drama, one that sometimes evokes the Terrence Malick philosophy of The Thin Red…

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Review of Glass Onion: A Knives Out Mystery (2022)

By Matt Singer (625) for ScreenCrush (954) on 21 Nov 2022

In general, Glass Onion is a much sharper comedy than Knives Out, with snappier dialogue, flashy cameos, and quirkier characters…

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Review of Strange World (2022)

By Cath Clarke (570) for The Guardian (2,969) on 21 Nov 2022

The clunky script feels like it’s been re-drafted and re-drafted to the point of incomprehension – blowing any chance of conveying a message…

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Review of Strange World (2022)

By Cath Clarke (570) for The Guardian (2,969) on 21 Nov 2022

The clunky script feels like it’s been re-drafted and re-drafted to the point of incomprehension – blowing any chance of conveying a message…

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Review of Strange World (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 21 Nov 2022

Strange World isn't afraid of taking on a rich mix of narrative strands: After all, how do intergenerational relationships fit together with…

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Review of Strange World (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 21 Nov 2022

Strange World isn't afraid of taking on a rich mix of narrative strands: After all, how do intergenerational relationships fit together with…

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Review of Strange World (2022)

By Brian Truitt (541) for USA Today (4,117) on 21 Nov 2022

An enjoyable piece of vibrant world building that steps away from the musical bent of recent non-Pixar efforts like “Encanto” and the “Frozen”…

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Review of Strange World (2022)

By Brian Truitt (541) for USA Today (4,117) on 21 Nov 2022

An enjoyable piece of vibrant world building that steps away from the musical bent of recent non-Pixar efforts like “Encanto” and the “Frozen”…

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Review of Devotion (2022)

By Mark Jenkins (515) for Washington Post (9,851) on 21 Nov 2022

The movie’s climactic sequence is less expected, and a bit messier than the other episodes…

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Review of Good Night Oppy (2022)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 21 Nov 2022

White structures the documentary as an absorbing adventure tale, and that it is…

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Review of Strange World (2022)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 21 Nov 2022

But after two instant classics in “Raya and the Last Dragon” and “Encanto” in 2021, “Strange World,” while pleasing, is a bit of…

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Review of Strange World (2022)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 21 Nov 2022

But after two instant classics in “Raya and the Last Dragon” and “Encanto” in 2021, “Strange World,” while pleasing, is a bit of…

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Review of The Inspection (2022)

By Odie Henderson (402) for Boston Globe (6,852) on 21 Nov 2022

Bratton’s unique perspective is so much more interesting when you hear him talk about The Inspection that you often wonder where it is when…

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Review of The Fabelmans (2022)

By Odie Henderson (402) for Boston Globe (6,852) on 21 Nov 2022

This is Spielberg’s most personal film, and it’s intriguing to watch him pay homage to the directors who made up his group of friends in…

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Review of Glass Onion: A Knives Out Mystery (2022)

By Odie Henderson (402) for Boston Globe (6,852) on 21 Nov 2022

Craig may be the main character, but “Glass Onion” belongs to Monáe…

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Review of Strange World (2022)

By Derek Smith (382) for Slant Magazine (8,298) on 21 Nov 2022

While Strange World’s examination of generational tension is tender and inspiring, as well as nicely tied to its theme of the necessity of…

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Review of Strange World (2022)

By Derek Smith (382) for Slant Magazine (8,298) on 21 Nov 2022

While Strange World’s examination of generational tension is tender and inspiring, as well as nicely tied to its theme of the necessity of…

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Review of The Inspection (2022)

By K. Austin Collins (343) for Rolling Stone (4,035) on 21 Nov 2022

This is not a tale of a young man who can “pass” and, knowing that it may matter to his survival, toughens up, puts on a masculine drag…

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Review of Guillermo del Toro's Pinocchio (2022)

By Olly Richards (291) for Time Out (7,510) on 21 Nov 2022

As you’d expect from the Mexican master, this is rich with macabre imagination and tiptoes between dreaminess and nightmarishness…

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Review of Strange World (2022)

By Carlos Aguilar (278) for TheWrap (3,203) on 21 Nov 2022

For all the wonderfully weird entities and world-building — with the adorable Splat being the standout — the filmmakers are unable to cohesively…

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