Review of Nanny (2022) by Michael O'sullivan for Washington Post — 21 Nov 2022
The film, despite being mostly set in a huge, expensive apartment that inexplicably seems to be illuminated only by low-wattage lightbulbs, by and large resists the easy tropes of conventional horror. Instead, Jusu focuses, with an assured storytelling that slowly builds a mood of real-world dread, on more corporeal concerns.
You can read the full review where it was originally posted online.
This review of Nanny (2022) was written by Michael O'sullivan and published by Washington Post on 21 Nov 2022.
Nanny has generally received mixed reviews.
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