Movie Reviews Published by TheWrap - Page 9 of 161

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Review of Spirited (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 09 Nov 2022

The teaming of Will Ferrell (making his return to Christmas movies nearly two decades after “Elf”) and Ryan Reynolds delivers the banter…

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Review of Black Panther: Wakanda Forever (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 08 Nov 2022

There’s a great deal to enjoy here, and fans of “Black Panther” won’t necessarily leave feeling disappointed, but there’s a sense…

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Review of Utama (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 04 Nov 2022

It is a spare and yet unsparing film, and a bold artistic statement from an emerging filmmaker…

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Review of The Estate (2022)

By Fran Hoepfner (33) for TheWrap (3,203) on 04 Nov 2022

It would be one thing if the film was fully committed to its nastiness — a type of comedy we don’t see much of these days at all — but…

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Review of I'm Totally Fine (2022)

By Lena Wilson (121) for TheWrap (3,203) on 04 Nov 2022

A stellar script and two standout performances from Jillian Bell and the sensational Natalie Morales round out this sweet little flick which,…

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Review of Dear Zoe (2022)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 04 Nov 2022

Too much of Dear Zoe, though, feels factory-designed to engineer emotion rather than aiming to earn it organically…

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Review of Soft & Quiet (2022)

By Carlos Aguilar (278) for TheWrap (3,203) on 04 Nov 2022

One of the most audacious American debuts of the year, writer-director Beth de Araújo’s Soft & Quiet shocks one’s system from its opening…

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Review of You Resemble Me (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 04 Nov 2022

Whether we read about someone like Hasna or watch such a sad journey dramatized, it’s worth being reminded that stories like these always…

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Review of Something in the Dirt (2022)

By William Bibbiani (788) for TheWrap (3,203) on 04 Nov 2022

Benson and Moorhead direct and shoot their film smartly, but their performances are what ground it and give it shape…

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Review of One Piece Film Red (2022)

By Simon Abrams (730) for TheWrap (3,203) on 04 Nov 2022

If you’re at all curious about “One Piece,” you might still enjoy One Piece Film Red, since it’s a better-than-average highlight reel…

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Review of Selena Gomez: My Mind & Me (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 03 Nov 2022

What comes through loud and clear in “My Mind & Me” is Gomez using the film to declare her priorities, and her carefully controlled revelations…

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Review of The Independent (2022)

By Dan Callahan (211) for TheWrap (3,203) on 01 Nov 2022

Tucked away in The Independent is a smaller family drama in which Elisha deals with her parents and the illness of her father…

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Review of Please Baby Please (2022)

By Lena Wilson (121) for TheWrap (3,203) on 29 Oct 2022

Please Baby Please may pay homage to queer aesthetics, but it fails to make any coherent points about gender or sexuality…

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Review of Holy Spider (2022)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 27 Oct 2022

Bajestani is believably repellent as someone whose split lives as an obsessive loner and respected family man are disturbingly concordant…

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Review of Scarlet (2023)

By Ben Croll (93) for TheWrap (3,203) on 25 Oct 2022

It’s a bit of a mess, no doubt about that, but a fascinating one…

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Review of Scarlet (2023)

By Ben Croll (93) for TheWrap (3,203) on 25 Oct 2022

It’s a bit of a mess, no doubt about that, but a fascinating one…

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Review of Silent River (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 21 Oct 2022

Silent River feels intensely personal, but also impossibly closed off. But is that so bad…

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Review of Descendant (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 21 Oct 2022

It is an elegy wrapped around a true-crime story; an observational social-justice movie intertwined with an historical retelling that finds…

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Review of Brainwashed: Sex-Camera-Power (2022)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 20 Oct 2022

If you’ve ever watched a classic movie and wondered why no one else seems uncomfortable with its portrayal of female characters, you’ll…

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Review of Black Adam (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 18 Oct 2022

Most disappointing of all, Black Adam is one of the most visually confounding of the major-studio superhero sagas, between CG that’s assaultively…

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