Movie Reviews Published by TheWrap - Page 10 of 161

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Review of Guillermo del Toro's Pinocchio (2022)

By Nicholas Barber (220) for TheWrap (3,203) on 15 Oct 2022

It’s intense, creepy, often harrowing stuff, so you can see why del Toro has said in interviews that his Pinocchio isn’t a children’s…

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Review of The Same Storm (2022)

By Ronda Racha Penrice (28) for TheWrap (3,203) on 14 Oct 2022

Even with its frequent clumsiness and failed ambitions, The Same Storm serves as an important time capsule of how we felt and behaved in the…

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Review of Halloween Ends (2022)

By William Bibbiani (788) for TheWrap (3,203) on 13 Oct 2022

The film eventually provides some memorable gore but the ultimate conclusion is unconvincing and perfunctory…

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Review of She Said (2022)

By Fran Hoepfner (33) for TheWrap (3,203) on 13 Oct 2022

Things get a little overly explanatory, in general, as though the film assumes its audience is not familiar with these allegations or the bombshell…

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Review of Battleground (2022)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 12 Oct 2022

Battleground does serve as an excellent primer on the political and practical positions of both sides…

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Review of Dark Glasses (2022)

By Carlos Aguilar (278) for TheWrap (3,203) on 11 Oct 2022

It’s neither successfully terrifying, nor shockingly grotesque, or even campy enough for one to revel in over-the-top derangement…

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Review of The Loneliest Boy in the World (2022)

By Simon Abrams (730) for TheWrap (3,203) on 11 Oct 2022

The Loneliest Boy in the World mostly bobs along without incident, never challenging viewers’ assumptions nor giving us much to sink our teeth into…

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Review of Is That Black Enough for You?!? (2022)

By Dan Callahan (211) for TheWrap (3,203) on 10 Oct 2022

The sense of loss post-1978 is pronounced, but there is also a sense of celebration and discovery in Is That Black Enough for You…

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Review of Last Flight Home (2022)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 10 Oct 2022

Timoner uses a stripped-down, totally straightforward method…

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Review of Lyle, Lyle, Crocodile (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 06 Oct 2022

While not enough to sell Lyle, Lyle, Crocodile, Bardem’s mission to out-cartoon his animated scene partner (admittedly not difficult) still…

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Review of Mr. Harrigan's Phone (2022)

By William Bibbiani (788) for TheWrap (3,203) on 06 Oct 2022

It may not provide the rush of adrenaline that many people seek from their horror movies but Mr…

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Review of Blue Is the Warmest Color (2013)

By Ella Taylor (978) for TheWrap (3,203) on 05 Oct 2022

Blue is the Warmest Color is subtitled “Adele: Chapters 1 and 2,” and by our last glimpse of this ordinary, extraordinary young woman walking…

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Review of Hellraiser (2022)

By Dave White (762) for TheWrap (3,203) on 04 Oct 2022

In Bruckner’s directorial hands and David Marks’ editing, more information is delivered than ever before, but no plot point is over-explained…

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Review of Sirens (2022)

By Lena Wilson (121) for TheWrap (3,203) on 02 Oct 2022

Baghdadi has harnessed something truly special. Like its fractious characters, Sirens is both humble and arresting, relatable and unique…

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Review of Sirens (2022)

By Lena Wilson (121) for TheWrap (3,203) on 02 Oct 2022

Baghdadi has harnessed something truly special. Like its fractious characters, Sirens is both humble and arresting, relatable and unique…

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Review of Till (2022)

By Ronda Racha Penrice (28) for TheWrap (3,203) on 01 Oct 2022

Deadwyler doesn’t just evoke Mamie’s speech patterns (which are very specific to Black women in the city trying to shed vestiges of the…

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Review of Till (2022)

By Ronda Racha Penrice (28) for TheWrap (3,203) on 01 Oct 2022

Deadwyler doesn’t just evoke Mamie’s speech patterns (which are very specific to Black women in the city trying to shed vestiges of the…

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Review of My Best Friend's Exorcism (2022)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 30 Sep 2022

Unlike its levitating heroine, it never really gets off the ground…

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Review of My Imaginary Country (2022)

By Carlos Aguilar (278) for TheWrap (3,203) on 29 Sep 2022

My Imaginary Country is as much about the causes, participants and outcomes of a collective awakening in search of a more promising future…

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Review of Art & Krimes by Krimes (2022)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 29 Sep 2022

It is rare to find a film that reflects its subject so insightfully, in both an artistic and thematic sense…

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