Movie Reviews Published by TheWrap - Page 8 of 161

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Review of Puss in Boots: The Last Wish (2022)

By William Bibbiani (788) for TheWrap (3,203) on 27 Nov 2022

Puss in Boots isn’t on a rousing adventure; he’s performing the fairy-tale equivalent of grasping at miracle cures while he’s dying from…

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Review of Leonor Will Never Die (2022)

By Simon Abrams (730) for TheWrap (3,203) on 23 Nov 2022

Francisco’s committed and surprisingly nuanced performance makes it easier to invest in the movie’s otherwise unexplained style of magical…

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Review of Devotion (2022)

By William Bibbiani (788) for TheWrap (3,203) on 22 Nov 2022

If you can get swept up in a big old-fashioned war picture, Devotion has some of the goods…

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Review of Strange World (2022)

By Carlos Aguilar (278) for TheWrap (3,203) on 21 Nov 2022

For all the wonderfully weird entities and world-building — with the adorable Splat being the standout — the filmmakers are unable to cohesively…

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Review of Nanny (2022)

By Fran Hoepfner (33) for TheWrap (3,203) on 21 Nov 2022

At its core, this is a moving and thoughtful character study, and horror films of late have a dearth of this kind of development, otherwise…

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Review of Strange World (2022)

By Carlos Aguilar (278) for TheWrap (3,203) on 21 Nov 2022

For all the wonderfully weird entities and world-building — with the adorable Splat being the standout — the filmmakers are unable to cohesively…

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Review of Bantú Mama (2022)

By Carlos Aguilar (278) for TheWrap (3,203) on 18 Nov 2022

The moody drama speaks of the inextricable links between Africa and the Caribbean without ever discussing it in academic terms but, instead,…

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Review of Love, Charlie: The Rise and Fall of Chef Charlie Trotter (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 18 Nov 2022

“Love, Charlie” plays like a whirlwind story, and an often entertaining one, but there’s no breathing room to process anything beyond…

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Review of Only in Theaters (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 17 Nov 2022

The film, while well-intentioned and informative, is a somewhat unfocused piece…

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Review of The Menu (2022)

By William Bibbiani (788) for TheWrap (3,203) on 17 Nov 2022

It’s a diabolically odd horror comedy that keeps the giggles at a steady simmer until, eventually, they’re just right…

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Review of Poker Face (2022)

By Lena Wilson (121) for TheWrap (3,203) on 17 Nov 2022

Crowe’s acting is fine, but he hasn’t done himself any favors with his by-the-book direction or paltry script…

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Review of Bad Axe (2022)

By Fran Hoepfner (33) for TheWrap (3,203) on 16 Nov 2022

At its best, Bad Axe is a family portrait, dynamic and curious and funny…

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Review of A Christmas Story Christmas (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 16 Nov 2022

While it spends perhaps too much of its running time either recreating or directly quoting moments from its 1983 predecessor, it still manages…

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Review of In Her Hands (2022)

By Fran Hoepfner (33) for TheWrap (3,203) on 16 Nov 2022

The documentary is so outwardly focused, so intended for Western audiences, that it barely transcends the nature of a Wikipedia page, afraid…

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Review of Lamborghini: The Man Behind the Legend (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 16 Nov 2022

The cars are the stars in Lamborghini: The Man Behind the Legend, a pamphletized biopic that does the easy thing — beautifying Italy and…

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Review of Sam & Kate (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 14 Nov 2022

Fisk and Hoffman (the younger) make a fine pair on screen with a natural chemistry; it’s nice to see her back in a romantic leading role…

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Review of A Couple (2022)

By Dave White (762) for TheWrap (3,203) on 11 Nov 2022

Boutefou’s performance in this delicate but wild environment is coiled and tense, but one that balances interior pain with a graceful delivery…

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Review of Retrograde (2023)

By Katie Walsh (1,279) for TheWrap (3,203) on 10 Nov 2022

It’s the faces that stand out in Retrograde, a stylistic and thematic motif that offers an empathetic power to the film as well as an aching…

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Review of Retrograde (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 10 Nov 2022

It’s the faces that stand out in Retrograde, a stylistic and thematic motif that offers an empathetic power to the film as well as an aching…

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Review of Spirited (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 09 Nov 2022

The teaming of Will Ferrell (making his return to Christmas movies nearly two decades after “Elf”) and Ryan Reynolds delivers the banter…

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