Movie Reviews Published by The Hollywood Reporter - Page 94 of 353

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Review of The Plagiarists (2019)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 15 Feb 2019

The film improves upon reflection, raising, as it does, some knotty questions about originality in art and in life, as well as provocatively…

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Review of Goldie (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 15 Feb 2019

While Woods' brash vitality is the movie's motor, it's in the moments when Goldie drops her bravado and reveals her vulnerability that the…

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Review of Virginia Minnesota (2019)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 14 Feb 2019

Reaching for a memorable blend of whimsy and portent, Stine has come up with something that feels scattered and decidedly lite…

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Review of Gully Boy (2019)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 14 Feb 2019

Zoya Akhtar (Zindagi Na Milegi Dobara) directs with flair and passion and, aided by explosive performances from a right-on cast, triumphs over…

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Review of Patrick (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 14 Feb 2019

The whole enterprise seems like an advertisement for the breed, the ownership of which will apparently improve your life immeasurably while…

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Review of By the Grace of God (2019)

By David Rooney (943) for The Hollywood Reporter (7,050) on 14 Feb 2019

This is a social justice film made with purposeful conviction and a quiet, never strident, sense of indignation…

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Review of Patrick (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 14 Feb 2019

The whole enterprise seems like an advertisement for the breed, the ownership of which will apparently improve your life immeasurably while…

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Review of Light of My Life (2019)

By David Rooney (943) for The Hollywood Reporter (7,050) on 14 Feb 2019

What holds the film back is the familiarity of its elements…

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Review of Driveways (2020)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 14 Feb 2019

The filmmakers never underline the emotions they want to evoke, and yet by the end, audiences may be moved to tears by this tale of fractured…

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Review of Fourteen (2020)

By Neil Young (78) for The Hollywood Reporter (7,050) on 14 Feb 2019

Medel, seldom off-screen, turns in a marvelous, utterly engaging portrait of an intelligent, caring person slowly stretched to breaking point…

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Review of The Golden Glove (2019)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 14 Feb 2019

On some level, Fritz’s story is compulsive viewing, only you wish you weren’t there…

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Review of The Unicorn (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 14 Feb 2019

The Unicorn walks a fine line between sensitive observation and voyeurism, frequently tipping over into the latter…

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Review of Light of My Life (2019)

By David Rooney (943) for The Hollywood Reporter (7,050) on 14 Feb 2019

What holds the film back is the familiarity of its elements…

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Review of By the Grace of God (2019)

By David Rooney (943) for The Hollywood Reporter (7,050) on 14 Feb 2019

This is a social justice film made with purposeful conviction and a quiet, never strident, sense of indignation…

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Review of Puzzle (2018)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 13 Feb 2019

This directing debut for experienced producer Marc Turtletaub (Little Miss Sunshine, Loving) ticks along pleasantly, driven by an efficient…

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Review of Midnight Family (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 13 Feb 2019

Though its micro view limits its usefulness in big discussions of public policy — it's easy to imagine American partisans using it as evidence…

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Review of Happy Death Day 2U (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 12 Feb 2019

Along the way, though, 2U throws enough wrinkles into the first film's action — if you don't remember it well, rewatch it before seeing this…

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Review of Isn't It Romantic (2019)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 12 Feb 2019

For all its winking jabs, this blend of giddy bits and teachable moments eventually follows the same old playbook…

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Review of Untogether (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 07 Feb 2019

The film's emotional intelligence gets it past the occasional false note, and the strength of its central performances keeps us engaged even…

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Review of The Mustang (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 07 Feb 2019

De Clermont-Tonnerre shows admirable restraint, knowing that, in her carefully constructed frames, it can be enough just to get Roman's newly…

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