Movie Reviews Published by The Hollywood Reporter - Page 95 of 353

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Review of Berlin, I Love You (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 07 Feb 2019

Most anthology films give you the comfort of knowing that if you don't like one segment, another one will be following in just a few minutes…

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Review of The Death of Dick Long (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 07 Feb 2019

It will entertain many, and deserves credit for its generosity to characters who, for all their bad decisions, are more complex than the stereotypes…

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Review of Under the Eiffel Tower (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 06 Feb 2019

The film ultimately suffers from its overly contrived plot mechanics, but the expert performances by its ensemble make it go down as easy as…

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Review of The Prodigy (2019)

By Justin Lowe (291) for The Hollywood Reporter (7,050) on 06 Feb 2019

The film’s cardinal sin isn’t so much that it’s unoriginal as that it’s so uninvolving it almost assures attention deficit will set in early…

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Review of What Men Want (2019)

By Justin Lowe (291) for The Hollywood Reporter (7,050) on 06 Feb 2019

In the end, it’s a rather conventional feature that satisfies expectations rather than challenging them…

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Review of Beneath the Leaves (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 06 Feb 2019

A by-the-book script and stiff direction fail to milk any suspense from this scenario, and in the absence of thrills, the picture's heavy focus…

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Review of To Dust (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 05 Feb 2019

With matter-of-fact Jewish wit, it accepts these beliefs as the story's ground rules, understanding that Shmuel won't make peace with his wife's…

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Review of One Child Nation (2019)

By David Rooney (943) for The Hollywood Reporter (7,050) on 03 Feb 2019

Densely informative yet always grounded in deep personal investment and clear-eyed compassion, this is a powerful indictment of a traumatic…

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Review of The Sound of Silence (2019)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Feb 2019

Director Michael Tyburski and co-writer Ben Nabors' lyrical character study…

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Review of Corporate Animals (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 02 Feb 2019

Veteran comic actors make the most of the not very original (though well-timed) one-liners the script gives them…

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Review of Them That Follow (2019)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 02 Feb 2019

The cast commit gamely to the material, although the script is a bit underwritten, making sudden shifts in character a little odd and a bit random…

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Review of The Souvenir (2019)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Feb 2019

This is an illuminating (self-)portrait of a young artist as well as a mesmerizing chronicle of a consuming, destructive relationship that…

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Review of Wounds (2019)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Feb 2019

Voracious genre consumers should get off on trying to decipher the densely textured film's murky ambiguities…

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Review of The Sunlit Night (2020)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 02 Feb 2019

Slate and Sharp (a Tony winner for The Curious Incident of the Dog in the Night-Time) can't be blamed for their lack of chemistry, and if sparks…

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Review of The Hole in the Ground (2019)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 02 Feb 2019

[It] will evoke comparisons for many with The Babadook, and while this is more generically conventional than Jennifer Kent's breakout thriller,…

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Review of American Factory (2019)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 02 Feb 2019

That nobody becomes a realized character with an emotional arc is just a place American Factory falls a little flat…

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Review of Share (2019)

By Beandrea July (45) for The Hollywood Reporter (7,050) on 02 Feb 2019

Aided by down-to-earth portrayals and a compelling cinematographic throughline that echoes the both ordinary and complex nature of this kind…

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Review of The Report (2019)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 02 Feb 2019

Audaciously cerebral and unabashedly granular, writer-director Scott Z. Burns' political thriller The Report, a dramatization of the U.S…

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Review of I Am Mother (2019)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Feb 2019

The problem is that despite his considerable skills, Sputore is so caught up with the cool technology he loses his grip on both the suspense…

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Review of Where's My Roy Cohn? (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 01 Feb 2019

So consistently odious, diabolical and simply anti-humane is Cohn’s lifetime portfolio that you really feel the need of a cold shower afterwards…

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