Movie Reviews Published by The Hollywood Reporter - Page 93 of 353

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Review of I'm Not Here (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 06 Mar 2019

Following a few years after 3 Geezers, Schumacher's reviled feature directing debut starring Simmons and Tim Allen, I'm Not Here represents…

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Review of Aniara (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 05 Mar 2019

It’s a film that wants to be visionary but isn’t…

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Review of Captain Marvel (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 05 Mar 2019

The picture is not dull, exactly, just mundane, marked by unimaginative plotting, cut-rate villains, a bland visual style and a lack of elan…

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Review of The Wandering Earth (2019)

By Elizabeth Kerr (43) for The Hollywood Reporter (7,050) on 01 Mar 2019

The visuals prove crucial, as Qi makes for a weak central character…

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Review of Giant Little Ones (2019)

By Boyd Van Hoeij (303) for The Hollywood Reporter (7,050) on 01 Mar 2019

This is a confidently shot and beautifully acted story that manages to transcend quite a few — if clearly not all — of the coming-of-age…

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Review of The Sower (2019)

By Neil Young (78) for The Hollywood Reporter (7,050) on 28 Feb 2019

A fundamentally serious film leavened by a streak of deadpan, droll humor, its quality will ensure even greater interest in Ailhaud's memoir…

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Review of Stray (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 28 Feb 2019

The performances are first rate; besides Woods' solid turn as the emotionally scarred cop, Fukuhara is movingly vulnerable as the frightened…

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Review of Joseph Pulitzer: Voice of the People (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 28 Feb 2019

Summarizing the great strides he made for journalism without ignoring his colorful flaws, Oren Rudavsky's Joseph Pulitzer: Voice of the People…

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Review of Saint Judy (2018)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 28 Feb 2019

It is Monaghan who keeps the movie on track, capturing Judy’s fire along with her sometimes aggravating tenacity…

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Review of Stray (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 28 Feb 2019

The performances are first rate; besides Woods' solid turn as the emotionally scarred cop, Fukuhara is movingly vulnerable as the frightened…

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Review of Fast Color (2019)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 26 Feb 2019

Hart has fashioned a tale of matriarchal inheritance, but one whose fierce message is undercut rather than deepened by its child's-book clarity…

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Review of Paris Is Us (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 26 Feb 2019

Vogler creates an intoxicating mood at times, especially through slick visuals and a trippy score by French electro maven Laurent Garnier,…

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Review of Missbehavior (2019)

By Elizabeth Kerr (43) for The Hollywood Reporter (7,050) on 21 Feb 2019

Pang’s cast of regulars is a well-oiled machine, and he and co-writer Sunny Lam are as fond of their characters as the characters are of each other…

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Review of Hail Satan? (2019)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 21 Feb 2019

Wickedly funny, fascinating and niftily made…

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Review of Julia (2009)

By Gregory Valens (2) for The Hollywood Reporter (7,050) on 19 Feb 2019

As Julia, Swinton belongs to that league of great cinematic alcoholics such as Jack Lemmon and Lee Remick in Days of Wine and Roses and Ray…

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Review of The Aftermath (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 18 Feb 2019

Where it might have been an old-fashioned melodrama with credible historical appeal, instead it suggests an old-school celluloid epic whose…

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Review of Synonyms (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 15 Feb 2019

Lapid continues to exhibit a singular blend of intensity and absurdity, as well as a distinct attention to cinematic craft…

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Review of The Operative (2019)

By David Rooney (943) for The Hollywood Reporter (7,050) on 15 Feb 2019

Writer-director Yuval Adler connects the dots of the convoluted plot with reasonable clarity, but The Operative only intermittently builds suspense…

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Review of Piranhas (2019)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 15 Feb 2019

The screenplay struggles to rise above the level of a sociological study into the realm of exciting cinema…

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Review of Varda by Agnès (2019)

By Stephen Dalton (194) for The Hollywood Reporter (7,050) on 15 Feb 2019

The director is such an engaging presence onscreen — wry and humane, balancing sly social commentary with a playfully child-like attitude…

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