Movie Reviews Published by The Hollywood Reporter - Page 9 of 353

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Review of The Pale Blue Eye (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 22 Dec 2022

This third collaboration between writer-director Scott Cooper and Christian Bale (following Out of the Furnace and Hostiles) is far stronger…

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Review of Whitney Houston: I Wanna Dance with Somebody (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 21 Dec 2022

Critics will sniff, as they invariably do, about the familiar conventions of the music biopic…

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Review of Babylon (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 16 Dec 2022

Propelled by Justin Hurwitz’s unrelenting wall-of-sound score, it’s often electrifying, to be sure, and certainly impressive in terms of…

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Review of Babylon (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 16 Dec 2022

Propelled by Justin Hurwitz’s unrelenting wall-of-sound score, it’s often electrifying, to be sure, and certainly impressive in terms of…

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Review of Pelosi in the House (2022)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 14 Dec 2022

The pieces don’t always fit together neatly and Alexandra Pelosi struggles with a subject whose façade is proudly impenetrable, but there…

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Review of Avatar: The Way of Water (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 13 Dec 2022

In terms of narrative sophistication and even more so dialogue, this $350 million sequel is almost as basic as its predecessor, even feeble…

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Review of Darby and the Dead (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 08 Dec 2022

With a refreshingly diverse cast and a compelling premise, there’s a lot to appreciate about Darby and the Dead — even with its muddied execution…

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Review of Lowndes County and the Road to Black Power (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 07 Dec 2022

A timely reminder of the legacy of voting rights in the U.S. and an inspiring testament to the power of community organizing…

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Review of Loudmouth (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 06 Dec 2022

A sense of admiration and responsibility courses through the doc, an orientation that eventually curdles the narrative…

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Review of Emancipation (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 30 Nov 2022

The drama feels flimsy when it strays from the swamps, rendering the politics of the time as almost secondary to the visual spectacle of a…

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Review of Tantura (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 29 Nov 2022

Tantura finally attempts to get the record on that incident straight, but as a movie, it serves an even greater purpose by bringing it to a…

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Review of Violent Night (2022)

By Angie Han (120) for The Hollywood Reporter (7,050) on 29 Nov 2022

For those who prefer their gingerbread soaked in booze and their tinsel splattered with gore, Violent Night might be exactly what the season…

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Review of Spoiler Alert (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 28 Nov 2022

Where the drama is headed is never in doubt, and the steps it takes to get there are often familiar…

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Review of The People We Hate at the Wedding (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 27 Nov 2022

The People We Hate at the Wedding doesn’t stray too far from the formula of our streaming-dominated visual landscape, but a witty screenplay…

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Review of Puss in Boots: The Last Wish (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 27 Nov 2022

Darker in tone but still extremely funny, the film, like so many of its animated brethren, falters when resorting to the frenetic action sequences…

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Review of Scrooge: A Christmas Carol (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 23 Nov 2022

It’s all a bit much, really, and the constant tonal shifts from a sort of demonic Fantasia to bouncy musical numbers proves more than a bit…

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Review of The Corridors of Power (2022)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 23 Nov 2022

The horrors of recent decades deserve the thoughtful, impassioned analysis that Moreh provides…

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Review of A House Made of Splinters (2023)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 22 Nov 2022

I found A House Made of Splinters to be more heartbreaking than hopeful, but I admired the moments of beauty that Wilmont delivers in a film…

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Review of Strange World (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 21 Nov 2022

The end of Strange World comes together as one would expect of a Disney offering, but there’s a sweetness to it that may move even the most…

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Review of Strange World (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 21 Nov 2022

The end of Strange World comes together as one would expect of a Disney offering, but there’s a sweetness to it that may move even the most…

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