Movie Reviews Published by The Hollywood Reporter - Page 10 of 353

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Review of To the End (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 21 Nov 2022

Due to the fact that the canvas is broader this time around — and the subjects Lears has chosen to focus on don’t have four discreet, parallel…

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Review of Disenchanted (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 18 Nov 2022

Disenchanted lacks the charisma and curiosity of its predecessor…

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Review of In Her Hands (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 16 Nov 2022

Scenes with her family members — especially her younger sisters — reflect a people growing more disenchanted with the state of affairs…

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Review of Is That Black Enough for You?!? (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 11 Nov 2022

Rare is the reflection on Black cinema that even tries to address all these critical points…

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Review of Retrograde (2023)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 10 Nov 2022

There’s so much potency in Heineman’s snapshot of sadness, disappointment and resignation, that I frequently and ultimately found myself…

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Review of Nothing Lasts Forever (2022)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 10 Nov 2022

A neat and efficient globe-trotting journey, full of insightful trivia and fun details, driven by impeccably selected main characters, who…

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Review of Slumberland (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 10 Nov 2022

For all the surface wildness of Lawrence’s Slumberland, it’s about as rule-following a family pic as you can find…

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Review of Retrograde (2022)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 10 Nov 2022

There’s so much potency in Heineman’s snapshot of sadness, disappointment and resignation, that I frequently and ultimately found myself…

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Review of Slumberland (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 10 Nov 2022

For all the surface wildness of Lawrence’s Slumberland, it’s about as rule-following a family pic as you can find…

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Review of Falling for Christmas (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 10 Nov 2022

This sub-Hallmark dreck made by a bunch of hacks that don’t deserve to be named is the first film out of Lohan’s Netflix deal and her first…

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Review of Guillermo del Toro's Pinocchio (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 09 Nov 2022

I feel tempted to say there’s a leaner, stronger film inside this that could have been coaxed out, but in the light of the film’s message…

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Review of Spirited (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 09 Nov 2022

Spirited owes its buoyancy primarily to the lively rapport of Ferrell and Reynolds, ultimately playing out the movie’s most convincing love story…

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Review of Spirited (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 09 Nov 2022

Spirited owes its buoyancy primarily to the lively rapport of Ferrell and Reynolds, ultimately playing out the movie’s most convincing love story…

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Review of Black Panther: Wakanda Forever (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 08 Nov 2022

It’s impossible for Wakanda Forever to match the breakthrough impact of its predecessor, but in terms of continuing the saga while paving…

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Review of Huesera: The Bone Woman (2023)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 07 Nov 2022

Dig deeper and Huesera reveals itself to be a wilier film — an astute study of desire and self-deception…

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Review of You Resemble Me (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 04 Nov 2022

Despite its uneven patches, this absorbing experimental film (which includes documentary elements toward the end) seemingly conjures the voice…

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Review of Selena Gomez: My Mind & Me (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 03 Nov 2022

Unlike other music documentaries (a popular format, as of late, for recalibrating celebrity images), Gomez’s project operates at a rawer,…

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Review of The Quiet Girl (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Nov 2022

This is a work of unfailing restraint, which makes its stealth emotional heft all the more remarkable…

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Review of The Independent (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 01 Nov 2022

While it zips along with pleasingly brisk economy in the expository establishing scenes, newcomer Evan Parter’s Black List screenplay indulges…

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Review of Run Sweetheart Run (2020)

By Beandrea July (45) for The Hollywood Reporter (7,050) on 27 Oct 2022

The movie’s premise has the potential to bring something fresh to the horror genre, and Balinska and Asbaek commit fully to their characters…

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