Movie Reviews Published by The Hollywood Reporter - Page 8 of 353

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Review of Infinity Pool (2023)

By David Rooney (943) for The Hollywood Reporter (7,050) on 26 Jan 2023

Cronenberg’s new film is less formally inventive and icy than Possessor, more narratively straightforward if no less disturbingly weird and…

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Review of Maybe I Do (2023)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 26 Jan 2023

Despite the formidable star wattage and estimable talents on display, however, Maybe I Do fails to overcome its obvious stage origins, feeling…

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Review of The Starling Girl (2023)

By Jourdain Searles (30) for The Hollywood Reporter (7,050) on 25 Jan 2023

One of the smartest things about Parmet’s film is the way it portrays internalized misogyny in her female characters…

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Review of Past Lives (2023)

By David Rooney (943) for The Hollywood Reporter (7,050) on 25 Jan 2023

It’s difficult to convey the multilayered beauty of Past Lives beyond just urging people to see it and lose themselves in its transfixing spell…

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Review of Past Lives (2023)

By David Rooney (943) for The Hollywood Reporter (7,050) on 25 Jan 2023

It’s difficult to convey the multilayered beauty of Past Lives beyond just urging people to see it and lose themselves in its transfixing spell…

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Review of Earth Mama (2023)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 25 Jan 2023

Savanah Leaf’s Earth Mama is a melancholic story transformed into a precious portrait by the director’s generous and nurturing eye…

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Review of Polite Society (2023)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 24 Jan 2023

Even when the ambitious film overshoots, you can’t wait to see what happens next…

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Review of You Hurt My Feelings (2023)

By David Rooney (943) for The Hollywood Reporter (7,050) on 23 Jan 2023

There’s a modesty about You Hurt My Feelings that makes it seem in some ways as simple and straightforward as its title…

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Review of The Pod Generation (2023)

By David Rooney (943) for The Hollywood Reporter (7,050) on 23 Jan 2023

For all the movie’s quite credible conjecture about technology rendering nature obsolete and procreation becoming the privilege of the wealthy,…

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Review of 20 Days in Mariupol (2023)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 22 Jan 2023

What comes through most vividly, other than the human tragedy on display, is the vital importance of war correspondents and the courage and…

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Review of 80 for Brady (2023)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 21 Jan 2023

This movie’s dazzle is all about the chemistry of its powerhouse quartet and the potential for comic sparks, and on that front, the starry…

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Review of STILL: A Michael J. Fox Movie (2023)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 21 Jan 2023

Guggenheim’s particular approach here leaves lots of room for the next documentarian who wants to celebrate Fox’s life, but with its tight…

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Review of You People (2023)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 20 Jan 2023

It comes on like gangbusters and keeps generating belly laughs well past the halfway point, slowing down then to take a GPS-directed turn into…

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Review of Shotgun Wedding (2022)

By Angie Han (120) for The Hollywood Reporter (7,050) on 19 Jan 2023

Shotgun Wedding amounts to an action romantic comedy in which the action is uninspired, the romance tepid and the comedy flat — such that…

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Review of Missing (2023)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 13 Jan 2023

Missing succeeds at maintaining a propulsive, nail-biting atmosphere and overcoming the boredom of its conventional narrative beats by treating…

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Review of House Party (2023)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 12 Jan 2023

Lead actors Cole and Latimore are competent enough, but they don’t come close to approximating the original film’s stars’ charisma or…

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Review of House Party (2023)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 12 Jan 2023

Lead actors Cole and Latimore are competent enough, but they don’t come close to approximating the original film’s stars’ charisma or…

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Review of Plane (2023)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 11 Jan 2023

Fortunately for moviegoers, the veteran Scottish actor is an engaging, charismatic presence, and Plane is the sort of breathlessly paced suspenser…

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Review of M3GAN (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 04 Jan 2023

M3GAN might be too frequently funny to be terrifying, but it’s never too silly to deliver tension and vicious thrills…

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Review of A Man Called Otto (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 28 Dec 2022

Although A Man Called Otto never fully rises above its obvious plot machinations, director Forster thankfully applies a fairly restrained,…

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