Movie Reviews Published by The Hollywood Reporter - Page 7 of 353

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Review of Moving On (2023)

By Michael Rechtshaffen (1,086) for The Hollywood Reporter (7,050) on 17 Feb 2023

Although Tomlin (for whom Weitz wrote 2015’s Grandma) and Fonda are thoroughly capable of taking their characters in any direction required…

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Review of Ant-Man and the Wasp: Quantumania (2023)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 14 Feb 2023

For better or worse, Ant-Man and the Wasp: Quantumania is the most overtly sci-fi film in the series, and on that level, it succeeds very well…

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Review of Marlowe (2023)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 14 Feb 2023

For all the authentic genre tropes on display, Marlowe never comes to life on its own, lacking the verve or wit to make it feel anything other…

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Review of Your Place or Mine (2023)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 09 Feb 2023

It’s a breezy charmer — the kind of movie these obits have been mourning over the years…

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Review of Somebody I Used to Know (2023)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 09 Feb 2023

Somebody I Used to Know, written by Brie and her husband Dave Franco (who also directs here), is a sharply conceived and smart romantic comedy…

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Review of Magic Mike's Last Dance (2023)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 07 Feb 2023

But the film is so baggy, so preoccupied with its own ambitions — re-establishing its support of women’s desires, addressing a new generation,…

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Review of Sharper (2023)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 07 Feb 2023

This is a film best experienced in a group setting, among friends, the kind of project that fosters conspiratorial thinking and could inspire…

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Review of The Integrity of Joseph Chambers (2023)

By David Rooney (943) for The Hollywood Reporter (7,050) on 06 Feb 2023

The new film doesn’t match the tightly wound narrative complexity or power of its predecessor; nor does it escape the occasional feel of…

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Review of Knock at the Cabin (2023)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Feb 2023

The bigger problem is that the movie leaves itself nowhere to go but deeper into biblical doom and gloom, with an unwavering sense of purpose…

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Review of A Lot of Nothing (2023)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 02 Feb 2023

The film struggles to maintain the verve of this opening sequence (which nails a specific anxiety of liberal middle-class Black people), subsequently…

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Review of Body Parts (2023)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 02 Feb 2023

While Body Parts is a smart film and a useful primer on big questions about filmic representations of sex and desire, one wishes its conclusions…

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Review of Pamela, A Love Story (2023)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 30 Jan 2023

Maybe it isn’t exactly that Pamela, a love story is unrevelatory…

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Review of Scrapper (2023)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 28 Jan 2023

Scrapper is a sweet bit of fluff that’s trying too hard to be funny and offbeat and ends up being too often simply annoying…

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Review of passages (2023)

By Jon Frosch (191) for The Hollywood Reporter (7,050) on 28 Jan 2023

With the steadfast lack of melodrama we’ve come to expect from him, the writer-director packs more incident, life and unassuming complexity…

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Review of The Deepest Breath (2023)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 28 Jan 2023

Even though the doc’s storytelling has an approach to twistiness that I’m finding increasingly irritating every time it’s used, the sheer…

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Review of Shortcomings (2023)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 28 Jan 2023

It’s more like the kind of standard Sundance-bound dramedy we’ve seen lots of times before, albeit with a charming cast and some sharp…

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Review of Passages (2023)

By Jon Frosch (191) for The Hollywood Reporter (7,050) on 28 Jan 2023

With the steadfast lack of melodrama we’ve come to expect from him, the writer-director packs more incident, life and unassuming complexity…

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Review of Rye Lane (2023)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 28 Jan 2023

Take the plot of one of Richard Linklater’s Before movies, combine it with the eye-popping aesthetic of Wes Anderson, then set it within…

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Review of Theater Camp (2023)

By David Rooney (943) for The Hollywood Reporter (7,050) on 27 Jan 2023

This is the first feature for Gordon and Lieberman and there’s little evidence of a visual sense, even if the rough edges are part of the…

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Review of A Thousand and One (2023)

By David Rooney (943) for The Hollywood Reporter (7,050) on 27 Jan 2023

It’s a quiet drama despite its characters’ many volatile arguments…

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