Movie Reviews Published by The Hollywood Reporter - Page 68 of 353

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Review of Dolittle (2020)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 15 Jan 2020

This is a film that just very expensively sits there onscreen with nothing ever seeming even remotely at stake…

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Review of The Murder of Nicole Brown Simpson (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 10 Jan 2020

Like his (Farrands) previous effort, this film takes a real-life tragedy and manages to treat it in horribly tawdry and tediously uninteresting…

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Review of System K (2020)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 09 Jan 2020

The result is a film that sometimes feels as frenzied as the world it’s depicting, but one that benefits from being such a full-blown nosedive…

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Review of Inherit the Viper (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 09 Jan 2020

For all its admirable intentions and the terrific performances by its talented ensemble, Inherit the Viper fails to have any genuine impact…

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Review of Afterward (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 09 Jan 2020

At its most powerful, the film movingly illustrates the myriad ways in which the past haunts the present and the healing power of communication…

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Review of Like a Boss (2020)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 08 Jan 2020

Quite funny for much of its running time, the film feels like it simply runs out of steam in its third act, settling for a lazy, pandering…

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Review of I See You (2019)

By Stephen Dalton (194) for The Hollywood Reporter (7,050) on 08 Jan 2020

A twist-heavy crime thriller spiced with horror and noir elements, I See You is such a finely crafted exercise in slow-burn suspense that its…

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Review of Underwater (2020)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 07 Jan 2020

This is a creature feature, whose gory jump-scares and icktastic critter design are the reason you're here…

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Review of The Vast of Night (2019)

By Justin Lowe (291) for The Hollywood Reporter (7,050) on 03 Jan 2020

By turns intriguingly odd and frustratingly obscure, this is confidently quirky material that nonetheless boasts superior production values…

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Review of The Grudge (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 02 Jan 2020

Nearly devoid of scares for the casual horror consumer, it will likely elicit a respectful dismissal from genre connoisseurs: We get what you're…

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Review of Ip Man 4: The Finale (2019)

By Elizabeth Kerr (43) for The Hollywood Reporter (7,050) on 21 Dec 2019

While not as strong, or nuanced, an entry as any of the three that preceded it, Yen once again proves at 56 to be something of an ageless wonder…

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Review of Santa Fake (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 20 Dec 2019

The most likely reaction among all but the most undiscerning to Santa Fake will be Bah, humbug…

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Review of The Gentlemen (2020)

By Stephen Dalton (194) for The Hollywood Reporter (7,050) on 19 Dec 2019

Featuring a stellar ensemble cast headed by Matthew McConaughey, Hugh Grant, Charlie Hunnam, Michelle Dockery and Colin Farrell, Ritchie's…

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Review of Lost Holiday (2019)

By Justin Lowe (291) for The Hollywood Reporter (7,050) on 19 Dec 2019

Michael and Thomas Matthews’ debut feature Lost Holiday gives the impression of an in-joke that never quite lands…

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Review of Star Wars: The Rise of Skywalker (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 18 Dec 2019

The massive jumble of standoffs, near-misses, tense confrontations, narrow escapes and slick victories, while momentarily exciting, can lack…

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Review of Cats (2019)

By David Rooney (943) for The Hollywood Reporter (7,050) on 18 Dec 2019

It's almost unfathomable that this one made it through all the preliminary production meetings without someone sensibly calling a halt to the…

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Review of She's Missing (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 18 Dec 2019

Sacrifices suspense and narrative coherence for moody atmospherics and hallucinatory visuals…

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Review of Spies in Disguise (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 16 Dec 2019

Antic and frantic, Spies is very much a one-joke affair, which is fine for a short but woefully insufficient for a 101-minute feature…

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Review of Electric Apricot (2007)

By Michael Rechtshaffen (1,086) for The Hollywood Reporter (7,050) on 14 Dec 2019

The most appreciative audience for this lame National Lampoon release likely will be guys in tour buses…

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Review of Code 8 (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 14 Dec 2019

Though this clearly isn't meant to be a lighthearted story, a glimmer of wit here and there would've helped keep viewers engaged in the action…

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