Movie Reviews Published by The Hollywood Reporter - Page 69 of 353

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Review of Mob Town (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 13 Dec 2019

Despite its serious subject matter, Mob Town assumes an oddly comic tone for much of its running time, coming across almost like a spoof at…

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Review of The Great War (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 13 Dec 2019

Unfortunately, despite his obvious passion for the genre, Luke doesn't yet have the cinematic chops (or clearly, the budget) to effectively…

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Review of Rabid (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 12 Dec 2019

Ploddingly paced (it runs nearly 20 minutes longer than the 1977 film, to detrimental effect), poorly scripted and featuring largely amateurish…

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Review of Cunningham (2019)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 12 Dec 2019

What Kovgan's utterly transporting film does, through a thoughtful and dynamic combination of curated material and new performances, is radiate…

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Review of Black Christmas (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 12 Dec 2019

Initially a sluggish stalker flick whose undergraduate moral debates are tiresome instead of provocative, it eventually transforms into a patriarchy…

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Review of 6 Underground (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 11 Dec 2019

You might think that director Michael Bay is angling to make his star, Ryan Reynolds, the Tom Cruise of a dumber, car-crashier version of the…

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Review of Jumanji: The Next Level (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 10 Dec 2019

A large part of the first film's pleasure came from watching adult actors, very sure in their screen personae, pretend to be children who were…

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Review of Bombshell (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 09 Dec 2019

The actors throw themselves into their roles with terrific zeal, enlivened by the often blunt dialogue and the issues at stake…

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Review of Broken Dreams (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 05 Dec 2019

There has been no shortage of first-hand accounts of this horrific period in history, nor of films relating to the topic…

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Review of The Mandela Effect (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 05 Dec 2019

Infused with enough deadening scientific jargon to lull a graduate student to sleep, the film, which feels much longer than its brief 80-minute…

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Review of Colewell (2019)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 05 Dec 2019

Although the movie acknowledges the economic threats to many Americans, it succeeds best not as a social drama but as a rich character piece,…

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Review of After Class (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 04 Dec 2019

As in Schechter's previous movies, an unusually strong cast is key to making this touchy material work, with supporting players Lynn Cohen…

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Review of Grand Isle (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 04 Dec 2019

Far stronger on atmosphere than actual suspense, Grand Isle plods along in tedious fashion, not helped by its awkward framing device that gives…

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Review of Daniel Isn't Real (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 04 Dec 2019

Although it eventually settles into familiar genre tropes, for much of its running time Daniel Isn't Real proves a genuinely provocative shocker…

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Review of Away (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 02 Dec 2019

Somewhere between Hayao Miyazaki and Terrence Malick lies Away, a gorgeously made minimalist cartoon that’s long on beauty and breathtaking…

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Review of What She Said: The Art of Pauline Kael (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 01 Dec 2019

Befitting the subject's personality and entertainment predilections, What She Said is adamantly engaging, full of lively, appreciative voices…

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Review of The Body Remembers When the World Broke Open (2019)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 29 Nov 2019

There's a wrenching sadness to this simply told story, but also but also a heartrending hope…

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Review of The Man in the Trunk (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 27 Nov 2019

Unfortunately, the film's execution doesn't quite live up to its promising set-up…

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Review of White Snake (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 27 Nov 2019

The pile-on of frenetic action sequences, especially toward the end, eventually becomes more wearisome than thrilling…

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Review of Melody Makers (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 27 Nov 2019

Revolving around the recollections of Barrie Wentzell, who served as the magazine's chief photographer from 1965 to 1975, and several of his…

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