Movie Reviews Published by The Hollywood Reporter - Page 67 of 353

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Review of Zola (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 25 Jan 2020

More or less playing straight man to Keough's comically unflappable liability, the incandescent Paige conveys the disappointment, even disdain,…

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Review of The Painter and the Thief (2020)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 25 Jan 2020

The film’s sustained intimacy speaks highly of the trust the subjects came to feel for the filmmaker, who is able to cut to the quick as…

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Review of The Dissident (2020)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 25 Jan 2020

This is a documentary both tragic and poignant, not to mention maddening in that only a few underlings, and not the perpetrators, will pay…

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Review of Never Rarely Sometimes Always (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 25 Jan 2020

The teen-abortion factor tags Never Rarely Sometimes Always as an issue drama, and in the most unconventional way, it is — raw, haunting…

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Review of The Courier (2020)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 25 Jan 2020

Though it never transforms into a grade-A spy thriller, the film boasts action that's briefly quite involving…

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Review of Cuties (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 25 Jan 2020

Writer-director Maïmouna Doucouré's captivating but structurally shaky first feature is stronger on setup than development or payoff, becoming…

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Review of Bad Hair (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 25 Jan 2020

There's definitely a tighter, more disciplined movie trapped in here begging for a more rigorous edit…

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Review of Cuties (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 25 Jan 2020

Writer-director Maïmouna Doucouré's captivating but structurally shaky first feature is stronger on setup than development or payoff, becoming…

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Review of Crip Camp: A Disability Revolution (2020)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 25 Jan 2020

What's most remarkable is how the primitive video footage balances the aspects of Jened that were unique — you've never seen a baseball game…

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Review of Miss Americana (2020)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 24 Jan 2020

What's ultimately very endearing about Swift is her intelligence and self-awareness, qualities that also make her music compelling, sophisticated…

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Review of Quezon's Game (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 24 Jan 2020

Unfortunately, the poor production values, ham-fisted screenplay and uneven performances prevent it from achieving the desired dramatic impact…

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Review of John Henry (2020)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 23 Jan 2020

Clearly qualified in the physique department, Crews is an actor with enough charisma and range to carry either gritty genre adventures or more…

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Review of The Turning (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 22 Jan 2020

The Turning sacrifices narrative and emotional coherence in favor of a series of would-be scary set pieces that seem mainly designed to discourage…

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Review of The Last Full Measure (2020)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 22 Jan 2020

This Vietnam War-themed drama is one of the dullest films made about that oft-dramatized conflict…

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Review of José (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 20 Jan 2020

This is a wisp of a film that for many will lack payoff, but it has a depth of feeling, strong sense of frustration, and hunger for growth…

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Review of Jezebel (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 16 Jan 2020

Dealing with its potentially discomfiting subject matter with sensitivity, insight and humor, the pic marks an auspicious debut for its director-screenwriter,…

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Review of VHYes (2020)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 16 Jan 2020

Though hardly groundbreaking in either its content or its aesthetics, the film is more serious than it initially lets on, and can only benefit…

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Review of The End of Quantum Reality (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 16 Jan 2020

Despite the frequent use of graphics and animation to help alleviate the tedium of numerous talking heads (we hear from several other scientists…

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Review of Disturbing the Peace (2020)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 16 Jan 2020

The film's apparent desire to channel heartland morality is weirdly undercut by a glib (and unsatisfying) vigilante move at the end, but only…

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Review of Bad Boys for Life (2020)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 15 Jan 2020

It’s impressive and enjoyable to behold how easily Smith and Lawrence slide back into these characters and actually make them more accessible…

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