Movie Reviews Published by The Hollywood Reporter - Page 11 of 353

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Review of Louis Armstrong's Black & Blues (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 27 Oct 2022

A delightful experience for jazz buffs and more than an eye-opener for any youngsters who barely know who Armstrong was, it’s worth applauding…

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Review of Enola Holmes 2 (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 27 Oct 2022

Enola Holmes 2‘s shortcomings don’t wreck the film — it’s a serviceable sequel — but the tension between the topics the film tackles…

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Review of Scarlet (2023)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 25 Oct 2022

It’s not groundbreaking stuff, but Marcello has a talent for making such material come alive through his inventive direction, whisking us…

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Review of Scarlet (2023)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 25 Oct 2022

It’s not groundbreaking stuff, but Marcello has a talent for making such material come alive through his inventive direction, whisking us…

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Review of The Pez Outlaw (2022)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 21 Oct 2022

It’s a hoot with a bit of heart, and if you can accept that the main character’s actions ultimately hurt nobody — with the possible exception…

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Review of Year One: A Political Odyssey (2022)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 20 Oct 2022

Despite participation from many bigwigs within the Biden team, Year One fails completely as any sort of chronological overview, which is how…

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Review of The Return of Tanya Tucker Featuring Brandi Carlile (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 20 Oct 2022

Whether you call it a relaunch, comeback, return or rebirth, it’s captured in a fittingly down-to-earth, memory-infused documentary that’s…

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Review of The School for Good and Evil (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 19 Oct 2022

This is a uniquely tiresome slog — madly over-plotted, thuddingly derivative, insanely overlong and slathered in a big symphonic score that…

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Review of Black Adam (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 18 Oct 2022

Johnson creates a magnetic antihero, volatile and antisocial…

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Review of Brainwashed: Sex-Camera-Power (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 17 Oct 2022

Clearly made with the best of didactic intentions, and especially affecting when paying tribute to “original gangster” film theorist Laura…

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Review of The Same Storm (2022)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 13 Oct 2022

In short, this film leaves us moved and provoked — and impressed with its technical accomplishments — even if it isn’t a perfect distillation…

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Review of She Said (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 13 Oct 2022

The film — based on their book of the same title — is sensible, dutiful and, thanks to key performances, more engaging than the average…

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Review of Battleground (2022)

By Caryn James (352) for The Hollywood Reporter (7,050) on 12 Oct 2022

The film’s immersion into the anti-abortion movement — with a smattering of pro-choice voices woven in — is consistently fascinating…

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Review of My Father's Dragon (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 12 Oct 2022

The deep fondness for the source material comes through, and the painterly hand-drawn aesthetic is enchanting…

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Review of Luckiest Girl Alive (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 07 Oct 2022

Luckiest Girl Alive struggles to balance its dual aspirations: delivering an emotionally wrought tale about survival and wrapping its gravity…

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Review of Lyle, Lyle, Crocodile (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 06 Oct 2022

It’s all harmless fun, containing enough mild laughs and genuinely sweet moments (if you can contain your emotions during the reunion scene…

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Review of Roald Dahl's Matilda the Musical (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 05 Oct 2022

The team manages to hit most of the right notes with this perky, peculiar adaptation…

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Review of Mr. Harrigan's Phone (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 04 Oct 2022

Unfortunately, despite its intriguing premise, Mr…

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Review of Hellraiser (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 04 Oct 2022

Fans will be relieved to know that this Hellraiser definitely doesn’t skimp on the gore, providing enough viscera and flayed skin to satisfy…

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Review of Till (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 01 Oct 2022

Till is more effective as an intimate portrait of devastating loss than a chronicle of the making of an activist…

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