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Last updated: 13 Jun 2026 at 22:00 UTC

Movie Reviews Published by The Globe and Mail (Toronto) - Page 6 of 201

101-120 of 4,018 Reviews

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Review of Black Panther: Wakanda Forever (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 08 Nov 2022

More than any other MCU outing over the past three years, though, there is more to appreciate here than not…

Review of Eternal Spring (長春) (2023)

By Amil Niazi (12) for The Globe and Mail (Toronto) (4,018) on 07 Nov 2022

From the very first scenes of the Canadian documentary Eternal Spring, you’re thrust into a thrilling, all-consuming film that challenges…

Review of Call Jane (2022)

By Anne T. Donahue (17) for The Globe and Mail (Toronto) (4,018) on 02 Nov 2022

Call Jane delivers a striking and affecting message that self-autonomy is crucial to survival, and that the fight for reproductive health is…

Review of My Policeman (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 01 Nov 2022

There are enough secrets, lies and tepidly chaste sex scenes – both of the straight and same-sex variety – to fill a hundred kitchen sinks…

Review of Armageddon Time (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 01 Nov 2022

Every detail and narrative swerve are stacked on top of the other to build a monumental story of compromises and consequences…

Review of Aftersun (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 25 Oct 2022

Aftersun cuts you in two with such emotional intensity, such impressive dramatic force, that I could only sit and fight back the inevitable tears…

Review of Aftersun (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 25 Oct 2022

Aftersun cuts you in two with such emotional intensity, such impressive dramatic force, that I could only sit and fight back the inevitable tears…

Review of Till (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 24 Oct 2022

Regrettably, both director and star are constantly fighting uphill battles in Till, which is saddled with a thoroughly conventional screenplay…

Review of The Banshees of Inisherin (2022)

By Kate Taylor (347) for The Globe and Mail (Toronto) (4,018) on 24 Oct 2022

Both Colm’s initial rejection of Padraic and Padraic’s final crazed reaction are not the stuff of realism or reason but of fairy tales…

Review of Decision to Leave (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 24 Oct 2022

This is meticulous, beautiful filmmaking that is rich in meaning and fat with detail…

Review of Till (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 24 Oct 2022

Regrettably, both director and star are constantly fighting uphill battles in Till, which is saddled with a thoroughly conventional screenplay…

Review of Ticket to Paradise (2022)

By Sarah-Tai Black (68) for The Globe and Mail (Toronto) (4,018) on 24 Oct 2022

Even if the effect of watching two mega-screen icons banter back and forth for an hour and change doesn’t add up to much, Clooney and Roberts…

Review of Black Adam (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 20 Oct 2022

Johnson, who is also a producer here, having shepherded Black Adam through a decade and a half of development, gets off relatively easy…

Review of All Quiet on the Western Front (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 13 Oct 2022

This new version of an old tale has the capacity to horrify you into shell-shocked pacifism, while delivering a few minor-key surprises along the way…

Review of Rosaline (2022)

By Aparita Bhandari (53) for The Globe and Mail (Toronto) (4,018) on 13 Oct 2022

Rosaline ultimately sparkles in this cheeky telling of the greatest love story never told…

Review of TÁR (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 12 Oct 2022

An engrossing and stylistically exacting work of cinema, Tár teases our political (as in: identity) sentiments with such a ferocious artistic…

Review of Triangle of Sadness (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 06 Oct 2022

There are movies that are on-the-nose and then there is Ruben Ostlund’s Triangle of Sadness, a satire™ that is so pharyngeal that it is…

Review of Blonde (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 05 Oct 2022

Blonde is a precisely engineered nightmare…

Review of Amsterdam (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 03 Oct 2022

Russell’s film is not remotely playable…

Review of Athena (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 30 Sep 2022

It is at times brash and thick-headed in its characters and politics, but it is engineered with such an electric ferocity – a beautiful marriage…

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