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Last updated: 13 Jun 2026 at 20:35 UTC

Movie Reviews Published by The Globe and Mail (Toronto) - Page 5 of 201

81-100 of 4,018 Reviews

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Review of Violent Night (2022)

By Radheyan Simonpillai (471) for The Globe and Mail (Toronto) (4,018) on 14 Dec 2022

Not that Harbour is the reason that Violent Night lands like a lump of coal…

Review of Spoiler Alert (2022)

By Rachel Ho (1) for The Globe and Mail (Toronto) (4,018) on 14 Dec 2022

What struck me most about Spoiler Alert was its nuanced look at a loving relationship…

Review of Emancipation (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 08 Dec 2022

Through it all, Smith’s performance grounds the horror in a place of courage, heart and soul…

Review of Guillermo del Toro's Pinocchio (2022)

By Radheyan Simonpillai (471) for The Globe and Mail (Toronto) (4,018) on 08 Dec 2022

The movie bites off way too much. It lumbers inelegantly between confrontations with grief and fascism…

Review of Framing Agnes (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 07 Dec 2022

While there is an early sense in Joynt’s film that it is simply fun to ape the environs of bygone television eras, the re-enactments ultimately…

Review of Empire of Light (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 07 Dec 2022

From the projectionist played by Toby Jones who regularly pops up to vocalize what everyone onscreen and the audience is already well aware…

Review of White Noise (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 30 Nov 2022

There is a distinct, and welcome, lack of sentimentality here, too, with Baumbach able to swerve the tone into a more cerebral version of National…

Review of White Noise (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 30 Nov 2022

There is a distinct, and welcome, lack of sentimentality here, too, with Baumbach able to swerve the tone into a more cerebral version of National…

Review of All the Beauty and the Bloodshed (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 29 Nov 2022

The director wisely dives with her whole heart and soul into Goldin’s life, which makes seeing her almost destroyed by an addiction to painkillers…

Review of EO (2022)

By C.j. Prince (29) for The Globe and Mail (Toronto) (4,018) on 27 Nov 2022

It’s impossible to guess where things will end up from one second to the next, which may sound daunting, but in the assured hands of Skolimowski…

Review of She Said (2022)

By Kate Taylor (347) for The Globe and Mail (Toronto) (4,018) on 27 Nov 2022

Along the way, the narrative does drag at times, but mainly the film slowly and steadily impresses as two excellent reporters – and two excellent…

Review of Devotion (2022)

By Radheyan Simonpillai (471) for The Globe and Mail (Toronto) (4,018) on 23 Nov 2022

Dillard takes every opportunity to interrogate Hudner’s narrative and what it means to be an ally…

Review of Bones and All (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 23 Nov 2022

Frightening and romantic, dreamy and dreary, the film laces the gore of a zombie movie with the magic-hour sunsets of a Terrence Malick film,…

Review of The Fabelmans (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 23 Nov 2022

The Fabelmans contains reels’ worth of beauty and wit, all delivered with the honest and enthusiastic drive to entertain that has become…

Review of Glass Onion: A Knives Out Mystery (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 22 Nov 2022

Just when you think that you have figured out which rug will next be pulled out from under you, Johnson reveals that there are rugs woven inside…

Review of Strange World (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 21 Nov 2022

Despite all the wonder that Strange World has going for it, the film cannot help but land with the softest of thuds…

Review of Strange World (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 21 Nov 2022

Despite all the wonder that Strange World has going for it, the film cannot help but land with the softest of thuds…

Review of The Menu (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 16 Nov 2022

An eat-the-rich satire that would go rotten without its supremely overqualified cast, The Menu is as much fun as it is ephemeral…

Review of Holy Spider (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 15 Nov 2022

There are several ways to make a serial killer movie, and in the sometimes compelling and sometimes repellent Holy Spider, filmmaker Ali Abbasi…

Review of BARDO, False Chronicle of a Handful of Truths (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 15 Nov 2022

Even when the maximalist visuals grab hold – as in, by your collar with an unpleasant yank – it is hard to feel much but exhaustion…

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