Movie Reviews Published by Screen International - Page 10 of 113

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Review of Destroyer (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 08 Sep 2018

Buried in makeup that accentuates her character’s hard-luck existence, Nicole Kidman brings such compelling conviction to her role as a tormented…

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Review of Can You Ever Forgive Me? (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 08 Sep 2018

Director Marielle Heller is less interested in the machinations of Israel’s scheme as she is the psychology behind it, giving us a touchingly…

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Review of Boy Erased (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 08 Sep 2018

Several emotionally attuned performances help paper over Boy Erased’s storytelling weaknesses…

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Review of Ben Is Back (2018)

By Wendy Ide (1,500) for Screen International (2,241) on 08 Sep 2018

Julia Roberts blasts through this family reunion drama-turned-thriller with one of the most forceful performances of her career…

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Review of Shirkers (2018)

By Fionnuala Halligan (367) for Screen International (2,241) on 08 Sep 2018

As the story of the mysterious Cordona plays out, the persuasive personalities of the three women both then and now strike a chord…

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Review of Charlie Says (2019)

By Demetrios Matheou (85) for Screen International (2,241) on 07 Sep 2018

Skimpy psychological insight, a clumsy structure and what turns out to be a miscast Smith all contribute towards what seems like a wasted opportunity…

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Review of The Predator (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 07 Sep 2018

Tongue firmly in cheek and sporting a taste for blood, The Predator has some nasty down-and-dirty pleasures, but director Shane Black can’t…

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Review of Hidden Man (2018)

By John Berra (26) for Screen International (2,241) on 07 Sep 2018

Jiang has reined in his critique of China's capacity for corruption while taking a go-for-broke approach to escapist storytelling…

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Review of Beautiful Boy (2018)

By Fionnuala Halligan (367) for Screen International (2,241) on 07 Sep 2018

Strong, committed performances and the upsetting ring of reality anchor a highly-personal film which cycles through addiction, relapse and…

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Review of The Front Runner (2018)

By Allan Hunter (1,486) for Screen International (2,241) on 07 Sep 2018

The Front Runner may cover a lot of ground and raise more questions about morality and the media than it can ever answer, but it remains a…

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Review of White Boy Rick (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 07 Sep 2018

The new film from ’71 director Yann Demange is best when it pauses to explore the father-and-son drama at the heart of this tale, as well…

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Review of Dead Souls (2018)

By Sarah Ward (538) for Screen International (2,241) on 07 Sep 2018

This essential documentary is necessarily, unflinchingly grim; the cinematic equivalent of walking in the survivors’ shoes, and a complex,…

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Review of Outlaw King (2018)

By Wendy Ide (1,500) for Screen International (2,241) on 06 Sep 2018

A fair bit of historical scene-setting at the beginning means that the picture takes a while to hit its stride…

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Review of Blaze (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 06 Sep 2018

Singer-songwriter Ben Dickey is affecting as Foley, assisted ably by a supporting cast that fights to transcend the drunken-angel clichés…

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Review of Museo (2018)

By Jonathan Romney (434) for Screen International (2,241) on 06 Sep 2018

In terms of execution and panache, Museum has the mark of a true original – at least, of a film-maker discovering his own voice through fearlessly…

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Review of The Nun (2018)

By Sarah Ward (538) for Screen International (2,241) on 05 Sep 2018

If The Nun leaves a haunting impression, it’s of a missed opportunity to capitalise upon a visually distinctive antagonist within an existing…

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Review of Hotel by the River (2019)

By Allan Hunter (1,486) for Screen International (2,241) on 05 Sep 2018

The forlorn feel of Hotel By The River becomes increasingly endearing, and there is a strain of bone dry humour that lightens the mood…

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Review of 22 July (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 04 Sep 2018

As with his United 93 and Captain Phillips, filmmaker Paul Greengrass has taken a horrifying true story and brought sober perspective to it…

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Review of A Land Imagined (2019)

By Allan Hunter (1,486) for Screen International (2,241) on 04 Sep 2018

The switch towards something more unexpected is initially disconcerting, but ultimately reveals an ambitious filmmaker striving to subvert…

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Review of Too Late to Die Young (2019)

By Allan Hunter (1,486) for Screen International (2,241) on 04 Sep 2018

A saga of complicated relationships, longings and heartbreak sometimes strains to fully develop all its disparate elements…

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