Movie Reviews Published by Screen International - Page 9 of 113

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Review of Our time (2019)

By Jonathan Romney (434) for Screen International (2,241) on 12 Sep 2018

A film of considerable visual poetry and, at times, grandeur, Our Time is unmistakably the work of the ambitious, visionary director behind…

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Review of Donnybrook (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 11 Sep 2018

Filmmaker Tim Sutton elicits pitiless performances from Frank Grillo and Jamie Bell playing two very different criminals on a collision course,…

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Review of J.T. LeRoy (2019)

By Wendy Ide (1,500) for Screen International (2,241) on 11 Sep 2018

There’s nothing about this watchable but somewhat workmanlike dramatisation of the literary fraud behind author ‘JT LeRoy’ which is anywhere…

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Review of Hotel Mumbai (2019)

By Sarah Ward (538) for Screen International (2,241) on 11 Sep 2018

Writer/director Anthony Maras largely sticks to the dramatisation playbook, but does so in an effective, affecting and empathetic fashion…

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Review of Out of Blue (2019)

By Wendy Ide (1,500) for Screen International (2,241) on 11 Sep 2018

With its arch, Lynchian tropes and curiously mannered dialogue, which may be deliberately disengaged from reality or may just be out of tune…

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Review of Green Book (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 11 Sep 2018

Green Book is a thoroughly predictable and conventional true-life drama, but at least Viggo Mortensen and Mahershala Ali make for decent company…

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Review of The Biggest Little Farm (2019)

By David D'arcy (130) for Screen International (2,241) on 11 Sep 2018

Most of those who’ll see The Biggest Little Farm will be drawn by its ardent, gentle idealism, and less by its hard-headed look at the challenges…

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Review of Her Smell (2019)

By Wendy Ide (1,500) for Screen International (2,241) on 11 Sep 2018

Wildly uneven, sporadically brilliant, occasionally unbearable, Alex Ross Perry’s sprawling portrait of a self-destructive rock star is carried…

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Review of Freaks (2019)

By Tim Grierson (1,482) for Screen International (2,241) on 11 Sep 2018

Lipovsky and Stein’s first feature as collaborators exudes a grungy, second-hand feel, and the movie doesn’t have the confidence or vision…

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Review of Monrovia, Indiana (2018)

By Lee Marshall (157) for Screen International (2,241) on 10 Sep 2018

In its austere way, this is classic Wiseman, a film that takes us into the heart of a community and reveals its inner workings, comforts, fractures…

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Review of The Old Man & the Gun (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 10 Sep 2018

Redford has rarely been this commanding in his recent work, playing Tucker with a mischievousness in his eyes but also so much soul that his…

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Review of A Simple Favor (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 09 Sep 2018

A Simple Favor wants it both ways, hoping to be a stylish, twisty, trashy thriller while simultaneously acting superior to the genre’s slinky…

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Review of Greta (2019)

By Fionnuala Halligan (367) for Screen International (2,241) on 09 Sep 2018

Greta is best read as tongue-in-cheek femme fun…

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Review of Gloria Bell (2019)

By Allan Hunter (1,486) for Screen International (2,241) on 09 Sep 2018

Moore’s performance means that we are with Gloria every step of the way, sharing in the little victories and the jolting setbacks…

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Review of Tell It to the Bees (2019)

By Allan Hunter (1,486) for Screen International (2,241) on 09 Sep 2018

Tell It To The Bees can seem a little too respectable for its own good but there are moments of pain and heartbreak that rise to the surface,…

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Review of Where Hands Touch (2018)

By Allan Hunter (1,486) for Screen International (2,241) on 09 Sep 2018

One of the issues with Where Hands Touch is that whilst some of the details and specifics feel fresh, the drama often feels desperately hackneyed…

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Review of One Last Deal (2019)

By Allan Hunter (1,486) for Screen International (2,241) on 08 Sep 2018

An old-fashioned heartwarmer that travels familiar territory with polished ease…

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Review of Widows (2018)

By Fionnuala Halligan (367) for Screen International (2,241) on 08 Sep 2018

The distinguishing, and perhaps unsurprising element - given McQueen’s strong characterisation in the past – is that each of the film’s…

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Review of If Beale Street Could Talk (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 08 Sep 2018

If Beale Street isn’t quite as seamless as the Oscar-winning Moonlight, this adaptation of the James Baldwin novel still proves to be a stirring,…

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Review of Life Itself (2018)

By Allan Hunter (1,486) for Screen International (2,241) on 08 Sep 2018

Some of the wit and emotion strikes home and the longer we spend with individual characters the more their story resonates…

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