Movie Reviews Published by Screen International - Page 11 of 113

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Review of Vox Lux (2018)

By Jonathan Romney (434) for Screen International (2,241) on 04 Sep 2018

Vox Lux is intellectually charged spectacle, with one foot in the Euro-art tradition and the other ankle-deep in the pop zeitgeist…

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Review of Dragged Across Concrete (2019)

By Demetrios Matheou (85) for Screen International (2,241) on 02 Sep 2018

Anyone expecting a progression in Zahler’s work may be disappointed, as the amusingly mannered dialogue starts to feel self-conscious and…

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Review of At Eternity's Gate (2018)

By Jonathan Romney (434) for Screen International (2,241) on 02 Sep 2018

Despite a strong, affecting performance by Willem Dafoe – who, even more than Kirk Douglas or Pialat’s star Jacques Dutronc, looks born…

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Review of The Sisters Brothers (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 01 Sep 2018

This is a Western which is rugged and raw, eschewing the genre’s mythmaking for something a little more off the beaten path…

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Review of Suspiria (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 31 Aug 2018

Suffice to say, Suspiria tries to do much, culminating in a finale that’s almost laughably over-the-top…

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Review of They'll Love Me When I'm Dead (2018)

By Jonathan Romney (434) for Screen International (2,241) on 31 Aug 2018

Entertaining and informative as a contextualising accompaniment to Welles’s reconstructed experimental project The Other Side of the Wind...Neville’s…

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Review of The Other Side of the Wind (2018)

By Jonathan Romney (434) for Screen International (2,241) on 30 Aug 2018

It’s a safe bet that many contemporary viewers will find the film confusing, abrasive, pretentious and antediluvian in its sexual politics…

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Review of The Ballad of Buster Scruggs (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 30 Aug 2018

Ballad doesn’t reinvent the Coens’ sardonic, measured aesthetic, but the anthology’s looser structure allows them a friskiness that is…

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Review of A Star Is Born (2018)

By Jonathan Romney (434) for Screen International (2,241) on 30 Aug 2018

Taken on its own terms as an unashamedly anachronistic attempt to muster the emotional intensity of the Hollywood melodrama tradition, Cooper’s…

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Review of The Favourite (2018)

By Lee Marshall (157) for Screen International (2,241) on 29 Aug 2018

The Favourite is one of those rare films where the energy generated by three talents at the top of their game and the energy generated by their…

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Review of Roma (2018)

By Fionnuala Halligan (367) for Screen International (2,241) on 29 Aug 2018

There’s a lot of love in ROMA, and, as is the way with love, it doesn’t always arrive in ways that are equal, or reciprocated, or even…

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Review of The Little Stranger (2018)

By Fionnuala Halligan (367) for Screen International (2,241) on 29 Aug 2018

While the film doesn’t quite work as a horror, and can stumble as a character piece, Abrahamson has pulled together a sumptuous production…

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Review of First Man (2018)

By Fionnuala Halligan (367) for Screen International (2,241) on 28 Aug 2018

It’s a beautifully made film, with an impeccable lead performance from Ryan Gosling as the sober, sensitive astronaut…

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Review of The Happytime Murders (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 21 Aug 2018

While the actors and puppeteers are committed to The Happytime Murders’ surreal reality, they almost do too good a job: This world’s authenticity…

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Review of Crazy Rich Asians (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 15 Aug 2018

To be sure, there are meaningful observations here about the ways that money warps relationships and how children struggle with their heritage…

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Review of Mile 22 (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 15 Aug 2018

The adrenaline never stops pumping in Mile 22, a superficially kinetic thriller that simultaneously attempts to be politically savvy and an…

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Review of The Swan (2018)

By Ben Croll (93) for Screen International (2,241) on 08 Aug 2018

The film delivers a dark coming-of-age tale through the young lead’s uncertain perception, tinged with uneasy implications and poetic flights…

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Review of The Spy Gone North (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 08 Aug 2018

A film about stellar spycraft that’s been made with comparable steely intelligence, The Spy Gone North (Gongjak) boasts little action but…

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Review of The Meg (2018)

By Demetrios Matheou (85) for Screen International (2,241) on 07 Aug 2018

It’s a likeable popcorn movie, with some good monster moments, an engaging international cast and Jon Turteltaub helming a family-friendly…

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Review of Christopher Robin (2018)

By Wendy Ide (1,500) for Screen International (2,241) on 01 Aug 2018

The film’s main triumph is the way that the toy characters are evoked…

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