Movie Reviews Published by RogerEbert.com - Page 54 of 279

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Review of The Exchange (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 30 Jul 2021

Long's screenplay pushes around the puzzle pieces of all of these characters, events, and discoveries so that they all line up as expected,…

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Review of The Exchange (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 30 Jul 2021

Long's screenplay pushes around the puzzle pieces of all of these characters, events, and discoveries so that they all line up as expected,…

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Review of The Last Mercenary (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 30 Jul 2021

It’s nice to see that the Muscles from Brussels is not only self-aware, but also sharp enough whenever he has to take a baby step or two…

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Review of Pray Away (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 30 Jul 2021

Slathered with a score that makes the sadness of each passage unmistakable, Pray Away narrows its purpose to be simply informative; it is too…

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Review of The Evening Hour (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 30 Jul 2021

Unfortunately, The Evening Hour falls back on clichés, telling its story with a palpable sense of distance from the characters, from their…

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Review of Nine Days (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 30 Jul 2021

The strength of Nine Days is not so much the scenario (although that is imaginative and well-constructed) but the mood Oda sets, the clarity…

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Review of Lorelei (2020)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 30 Jul 2021

Anchored by powerful performances by two deeply underrated actors, Lorelei is a heartfelt drama that succumbs to some thin dialogue and set-ups…

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Review of Ride the Eagle (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 30 Jul 2021

Its biggest crime is that the whole thing, in the end, is just kind of pointless, and doesn’t offer viewers anything that they haven’t…

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Review of The Exchange (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 30 Jul 2021

Long's screenplay pushes around the puzzle pieces of all of these characters, events, and discoveries so that they all line up as expected,…

Read Review

Review of Enemies of the State (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 30 Jul 2021

Sonia Kennebeck’s Enemies of the State spirals and swirls in a way that’s meant to enhance the “isn’t this crazy” aspect of its true…

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Review of The Exchange (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 30 Jul 2021

Long's screenplay pushes around the puzzle pieces of all of these characters, events, and discoveries so that they all line up as expected,…

Read Review

Review of The Boy Behind the Door (2020)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 29 Jul 2021

While The Boy Behind the Door runs out of steam a bit in the third act, it’s mostly a tight, well-paced thriller with terrific central performances…

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Review of The Suicide Squad (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 29 Jul 2021

Only the man who wrote Tromeo and Juliet could deliver something this gleefully grotesque, vicious, and unapologetic, and the DC Universe is…

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Review of Resort to Love (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 29 Jul 2021

At least the movie features a few solid performances to make it a worthwhile diversion for some viewers…

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Review of Jungle Cruise (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 27 Jul 2021

The film's tight construction and prolific action scenes carry it, and Blunt and Johnson do the irresistible force/immovable object dynamic…

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Review of Val (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 26 Jul 2021

The film is most satisfying when it's just giving us details of Kilmer's philosophy of acting, which is uncompromising to the point of being…

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Review of Ailey (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 26 Jul 2021

It is an educational journey, an uncompromising look into the challenges of an artistic life, and a tribute to the man whose studio and dance…

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Review of Val (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 26 Jul 2021

The film is most satisfying when it's just giving us details of Kilmer's philosophy of acting, which is uncompromising to the point of being…

Read Review

Review of The Green Knight (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jul 2021

It is scary, sexy, and strange in ways that American films are rarely allowed to be, culminating in a sequence that cast the whole film in…

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Review of Broken Diamonds (2021)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 23 Jul 2021

The tone rarely hits its target for dark levity, often making one wonder, “Was that meant to be funny?”…

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