Movie Reviews Published by RogerEbert.com - Page 53 of 279

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Review of Beckett (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 13 Aug 2021

If you didn’t know Beckett was a thriller, you’d think it was about two mismatched people with dry interests, mundane conversations, and…

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Review of CODA (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 13 Aug 2021

Most of all, [Heder] makes us see and believe in our bones that the Rossis are a real family with real chemistry, with real bonds and trials…

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Review of Days (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 13 Aug 2021

To enjoy Days, you have commit to its earthy dream logic. It is an extraordinary movie; it is not an easy sit…

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Review of In the Same Breath (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 12 Aug 2021

With her harrowing film In the Same Breath, Wang has established herself as the preeminent documenter of the pain inflicted by oppressive regimes…

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Review of Misha and the Wolves (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 11 Aug 2021

Eventually, the documentary turns into a more traditional investigative narrative, as genealogists and wolf experts and Holocaust historians…

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Review of The Kissing Booth 3 (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 11 Aug 2021

To Marcello and and co-writer Jay S…

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Review of Free Guy (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 10 Aug 2021

An enjoyable cast, including movie-stealing work from Jodie Comer, holds it all together, but one can still see just enough glitches in this…

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Review of Swan Song (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 06 Aug 2021

Unfortunately, the film gets derailed by tonal inconsistencies and a clichéd plot that undermines the strength of its memorable outlier sections…

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Review of John and the Hole (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 06 Aug 2021

It’s exciting, quietly volatile stuff that digs refreshingly deep into the fears of the coming-of-age genre…

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Review of Escape from Mogadishu (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 06 Aug 2021

A giddy chase scene almost singlehandedly rescues Escape from Mogadishu, an otherwise unmoving South Korean political thriller about the real-life…

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Review of Alive: Who Is There? (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 06 Aug 2021

What begins in lively and vibrant fashion as the title would suggest gets bogged down in a literal and figurative swamp in Vivo…

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Review of Vivo (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 06 Aug 2021

What begins in lively and vibrant fashion as the title would suggest gets bogged down in a literal and figurative swamp in Vivo…

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Review of Bring Your Own Brigade (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 06 Aug 2021

Walker’s film might have worked better as a docuseries—one feels its two-hour length—and she has a habit of over-writing some of the…

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Review of Whirlybird (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 06 Aug 2021

We cannot help wishing, as we do so often in watching what passes for news these days, that this story was told with more insight, context,…

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Review of Naked Singularity (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 06 Aug 2021

There's something off-kilter about it, in a good way. It has a confidence that might not be earned but is still enjoyable to see…

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Review of Playing God (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 06 Aug 2021

The premise here is not unpromising but the execution—indeed the whole aesthetic—is something like The Grifters-Lite…

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Review of Annette (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 04 Aug 2021

Annette is an exhilarating and exuberant experience…

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Review of Lorelei (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 30 Jul 2021

Anchored by powerful performances by two deeply underrated actors, Lorelei is a heartfelt drama that succumbs to some thin dialogue and set-ups…

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Review of Sabaya (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 30 Jul 2021

There is so much earth-shattering bravery on display in the miraculous Sabaya that you wonder how the Swedish-Kurdish director Hogir Hirori…

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Review of Stillwater (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 30 Jul 2021

Ultimately, the cacophony of all these plot lines converging and the weight of the messaging being conveyed is almost too much to bear…

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