Movie Reviews Published by RogerEbert.com - Page 55 of 279

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Review of Jolt (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 23 Jul 2021

Despite an obviously resourceful filmmaker at the helm and a more-than-game Beckinsale with proven genre chops, the film’s ultimately empty…

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Review of Joe Bell (2020)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 23 Jul 2021

It's frustrating to watch a movie that seems so unable to get out of its own way—all the more so because this is one of the last collaborations…

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Review of Settlers (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 23 Jul 2021

With a strong cast and an intriguing premise that basically transports a Western plot into outer space, Settlers should work, but it simply…

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Review of Eyimofe (This Is My Desire) (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 23 Jul 2021

While the themes here are, of course, redolent of neorealism, the filmmakers don’t make ostentatious nods to cinema past…

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Review of Blood Red Sky (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 23 Jul 2021

From the “how do you mess that up” school of filmmaking, Blood Red Sky takes a phenomenal concept that mixes genre hits like From Dusk…

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Review of Midnight in the Switchgrass (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 23 Jul 2021

Midnight in the Switchgrass is the type of crime thriller that’s so full of cliches that it becomes one big cliche itself…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 22 Jul 2021

More often than not, Snake Eyes: G.I…

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Review of Old (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 22 Jul 2021

Sadly, the film crashes when it decides to offer some sane explanations and connect dots that didn’t really need to be connected…

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Review of How It Ends (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 20 Jul 2021

While I like the laid-back attitude the filmmakers apply to the theoretically devastating situation, it quickly becomes apparent that attitude…

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Review of Die in a Gunfight (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 16 Jul 2021

Schiffli’s snarky and snide self-aware tone quickly grows wearisome, and his action sequences have a cheapness about them that’s distancing;…

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Review of Great White (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 16 Jul 2021

Perhaps Wilson would have benefitted from the subtle method of Jaws, or even The Reef, by prioritizing teasing over showing…

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Review of No Ordinary Man (2021)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 16 Jul 2021

Co-directors Aisling Chin-Yee and Chase Joynt exalt the professional and personal life of Jazz musician Billy Tipton in No Ordinary Man, and…

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Review of The Boys in Red Hats (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 16 Jul 2021

The Boys in Red Hats is a necessary watch that elicits frustration by exposing our insular ideology with a raw aplomb…

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Review of Fear Street: 1666 (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 16 Jul 2021

Executed with the confidence of a victory lap, the last hour of 1666 is a series highlight, especially as it captures the brand of out-and-out…

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Review of Summertime (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 16 Jul 2021

On paper, it sounds iffy; in execution, however, it’s absolutely glorious, a gleeful glide through adolescence that doesn’t gloss over…

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Review of Roadrunner: A Film About Anthony Bourdain (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 16 Jul 2021

It’s a fascinating, moving documentary that transcends mere profile piece to reclaim a legacy, and it’s as inspirational as its subject…

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Review of Escape Room: Tournament of Champions (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 15 Jul 2021

Human error—or uncertainty—is the biggest source of tension in this movie, and it goes a long way towards making this sequel (a little)…

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Review of Gunpowder Milkshake (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 14 Jul 2021

[Papushado] creates a world that’s so strange, in both a visually striking sense and one that doesn't always work, that even when a performance…

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Review of Space Jam: A New Legacy (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 14 Jul 2021

There may be a big, corporate, algorithm-like formula deciding that a quarter-century later it's time for another Space Jam, but it's good…

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Review of Pig (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 13 Jul 2021

It's attentive to regret and failure in ways that American films tend to avoid for fear of bumming viewers out and making them warn other people…

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