Movie Reviews Published by RogerEbert.com - Page 48 of 279

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Review of The Manor (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 08 Oct 2021

The premise isn’t thoroughly uncomfortable so much as it is simply tedious; Barbara Hershey’s focal character Tabitha is made to appear…

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Review of Convergence: Courage in a Crisis (2021)

By Matt Fagerholm (98) for RogerEbert.com (5,563) on 08 Oct 2021

What Convergence reinforced for me, more than anything, is simply the overwhelming gratitude I have for every essential worker who took my…

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Review of The Manor (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 08 Oct 2021

The premise isn’t thoroughly uncomfortable so much as it is simply tedious; Barbara Hershey’s focal character Tabitha is made to appear…

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Review of The Rescue (2021)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 08 Oct 2021

It would be impossible not to be emotionally moved by this story, and in that way, The Rescue delivers…

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Review of South of Heaven (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 08 Oct 2021

Written and directed by Aharon Keshales, whose debut (2010's Rabies) was an attention-getting nail-biter, South of Heaven—with a couple of…

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Review of Ascension (2021)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 08 Oct 2021

As engrossing as it’s alarming, the documentary flows with a stream of consciousness about the illusion of the “Chinese Dream.”…

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Review of Knocking (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 08 Oct 2021

Kempff immerses her audience into her character’s tortured headspace, like a tragic hall of mirrors that seems endless…

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Review of Madres (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 08 Oct 2021

Calling a movie like Madres by-the-numbers would be a compliment, and an overstatement, because that would indicate that the makers were even…

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Review of Lamb (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 07 Oct 2021

While it’s not a thoroughly satisfying stew of style and substance—plus, it could’ve used some sharper scares—Lamb nonetheless leaves…

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Review of LAMB (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 07 Oct 2021

While it’s not a thoroughly satisfying stew of style and substance—plus, it could’ve used some sharper scares—Lamb nonetheless leaves…

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Review of There's Someone Inside Your House (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 06 Oct 2021

Maybe this is a product of the movie’s nature as an adaptation, but there’s never really a moment in There’s Someone Inside Your House…

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Review of Coming Home in the Dark (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 01 Oct 2021

Coming Home in the Dark settles into the memory as a mesmerizing missed opportunity at worst, a promise of future classics at best…

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Review of The Many Saints of Newark (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 01 Oct 2021

The movie’s flabbiness, its unfocused flopping from scene to scene, its disinclination to provide any individual scene with any dimension…

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Review of Diana: The Musical (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 01 Oct 2021

Despite a few musical bright spots, you’ll leave humming the costumes…

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Review of The Addams Family 2 (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 01 Oct 2021

This sequel makes up for some of the problems with the 2019 Addams Family animated family film, which suffered from an uneven tone and a meandering…

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Review of Titane (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 01 Oct 2021

Titane, this year's Palme d'Or winner at the Cannes Film Festival, is an extreme movie, violent and pitiless and funny, but the space it provides…

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Review of Mayday (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 01 Oct 2021

Despite a strong ensemble of actors and some impressive photography, Mayday drowns inside its own overambitions…

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Review of Black as Night (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 01 Oct 2021

It’s the kind of movie that might not be as charming if you’ve seen 100 vampire movies, but if you’re also curious about bloodsucker…

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Review of Old Henry (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 01 Oct 2021

Eventually—about the time it demonstrates Henry’s expertise as a killer of men, in several well-done action mini-sequences—we learn the…

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Review of MAYDAY (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 01 Oct 2021

Despite a strong ensemble of actors and some impressive photography, Mayday drowns inside its own overambitions…

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