Movie Reviews Published by RogerEbert.com - Page 49 of 279

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Review of Bingo Hell (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 01 Oct 2021

Even with the poetic, vicious grin we can see from Brake’s gummy smile, feasting on the dreams of lovable people misguided by materialism,…

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Review of Venom: Let There Be Carnage (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 30 Sep 2021

Venom: Let There Be Carnage is zippy and breezy…

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Review of No Time to Die (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 29 Sep 2021

Even as it’s closing character arcs that started years ago, it feels like a film with too little at stake, a movie produced by a machine…

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Review of No One Gets Out Alive (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 29 Sep 2021

No One Gets Out Alive builds its suspense through scares both real and supernatural…

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Review of Birds of Paradise (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 27 Sep 2021

Director Sarah Adina Smith has a gift for striking images and creating intriguingly spooky moods, bordering on gothic, but the plot is so overstuffed…

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Review of East of the Mountains (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 27 Sep 2021

Character actor Tom Skerritt takes the lead for once in this gentle, melancholic drama about an older man who, while overwhelmed by suicidal…

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Review of The Most Beautiful Boy in the World (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 27 Sep 2021

The Most Beautiful Boy in the World isn’t a perfect watch, and it's often confusing and confounding…

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Review of El Planeta (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 27 Sep 2021

A mother-daughter bond shines through stark black-and-white cinematography and surreal humor in El Planeta…

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Review of Intrusion (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 22 Sep 2021

There are simply too many moments here in which the characters, who we are supposed to care about in some form, are conveniently dumb…

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Review of This Is the Night (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 22 Sep 2021

Such a spectacular misfire on every imaginable level—and even some you haven’t begun to imagine—that there are times when one might mistake…

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Review of Intrusion (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 22 Sep 2021

There are simply too many moments here in which the characters, who we are supposed to care about in some form, are conveniently dumb…

Read Review

Review of Intrusion (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 22 Sep 2021

There are simply too many moments here in which the characters, who we are supposed to care about in some form, are conveniently dumb…

Read Review

Review of This Is the Night (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 22 Sep 2021

Such a spectacular misfire on every imaginable level—and even some you haven’t begun to imagine—that there are times when one might mistake…

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Review of Everybody's Talking About Jamie (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 20 Sep 2021

As far as coming-of-age musicals go, Everybody’s Talking About Jamie sends a charming, feel-good message of self-acceptance…

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Review of Everybody's Talking About Jamie (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 20 Sep 2021

As far as coming-of-age musicals go, Everybody’s Talking About Jamie sends a charming, feel-good message of self-acceptance…

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Review of Civil War (Or, Who Do We Think We Are) (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 17 Sep 2021

This movie will be of particular interest to students who want a lively, thoughtful presentation of basic historical subjects but aren't going…

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Review of Blue Bayou (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 17 Sep 2021

Blue Bayou is sunk, on occasion, by its own symbolism, and how it wields said symbols…

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Review of Copshop (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 17 Sep 2021

The shoot-'em-ups are consistently “whoa…

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Review of Lady of the Manor (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 17 Sep 2021

The screenplay is painfully incompetent, the comedy is puerile, and the direction limps along like a set of disconnected skits, with no sense…

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Review of The Mad Women's Ball (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 17 Sep 2021

The Mad Women's Ball is part psychodrama and part melodrama, and it wears those mantles proudly and confidently…

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