Movie Reviews Published by RogerEbert.com - Page 47 of 279

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Review of Warning (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 22 Oct 2021

We meander from one story to the next until every idea, big and small, gets cast aside with childish zeal…

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Review of Ron's Gone Wrong (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 22 Oct 2021

Ron’s Gone Wrong is an indictment of the invasive, insidious tactics of Big Tech, and of the ways we relinquish a little more of our privacy…

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Review of Broadcast Signal Intrusion (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 22 Oct 2021

It’s a film with echoes of recent horror movies about obsession like Berberian Sound Studio and Censor but those movies, despite their flaws,…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 22 Oct 2021

The movie may be hard to explain, but it's very fun to watch. It's a fast-paced delirious movie about a very slow unchanging world…

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Review of No Future (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 22 Oct 2021

Those willing to give No Future a chance will find it to be a fairly smart and realistic depiction of two people consumed by grief, guilt,…

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Review of Night Teeth (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 21 Oct 2021

There's an overriding desire throughout Night Teeth for it to be an L.A…

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Review of A Cop Movie (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 20 Oct 2021

A Cop Movie, directed by Alonso Ruizpalacios, is exceptionally challenging to begin with…

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Review of The Blazing World (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 18 Oct 2021

The Blazing World falls short narratively and visually, not leaning hard enough into its stylistic possibilities to leave an impression past…

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Review of Falling for Figaro (2021)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 16 Oct 2021

It’s a testament to Macdonald and Skinner that they inject chemistry into their characters’ underwritten pairing…

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Review of Needle in a Timestack (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 15 Oct 2021

As it turns out, this literary curiosity proves to be far more interesting than the finished film, which takes an undeniably interesting premise…

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Review of Son of Monarchs (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 15 Oct 2021

Son of Monarchs, which is driven by mood as much as it is a metaphor that it can’t get enough of, embodies the equal ambition and shortcomings…

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Review of Freeland (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 15 Oct 2021

It’s a contemplative film that manages to whisk the audience away to an unfamiliar land whose off-the-grid survival you can’t help but root for…

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Review of Introducing, Selma Blair (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 15 Oct 2021

It’s impossible to watch Introducing, Selma Blair and not feel deeply moved…

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Review of Luzzu (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 15 Oct 2021

Luzzu is a moving portrait of a world in flux, and one man attempting to survive the changes thrust upon him by a baffling outside world…

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Review of Halloween Kills (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 14 Oct 2021

This film muddies its entire concept with a bizarre, unrefined commentary on mob mentality that is quite simply some of the worst material…

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Review of Operation Hyacinth (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 13 Oct 2021

Had this been made back in the 1940s, it would have fit nicely in the same genre as Detour or The Maltese Falcon…

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Review of The Velvet Underground (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 13 Oct 2021

This is a dazzling film—not just one of Haynes' best, but possibly the one that his whole career, with all of its self-aware formal and historical…

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Review of The Last Duel (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 12 Oct 2021

While Gladiator and Kingdom of Heaven throbbed with purposeful vitality, pictures such as Robin Hood and 1492: Conquest of Paradise seemed…

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Review of Live at Mister Kelly's (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 12 Oct 2021

Even though the film is ultimately not much more than an exercise in nostalgia, that's hardly a bad thing when you're delving into a past as…

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Review of Wheel of Fortune and Fantasy (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 11 Oct 2021

Wheel of Fortune and Fantasy is a love letter to the art of spinning a good yarn, but it’s also a sharply observed paean to the lies and…

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