Movie Reviews Published by RogerEbert.com - Page 43 of 279

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Review of Flee (2021)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 03 Dec 2021

A country can be a home, and a home can be erased, and the aching, lovely Flee trafficks in the space between belonging and wandering…

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Review of Encounter (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 03 Dec 2021

For a while Pearce does a very clever balancing act, taking everyday unpleasantries and grotesqueries of life and exaggerating them just so…

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Review of The Scary of Sixty-First (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 03 Dec 2021

In the end, I was left feeling like The Scary of Sixty-First was all set-up and no follow-through…

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Review of Torn (2021)

By Matt Fagerholm (98) for RogerEbert.com (5,563) on 03 Dec 2021

By inviting viewers to share in the most private of transformative periods for his family, Max Lowe scaled the Mount Everest of the soul, creating…

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Review of The Advent Calendar (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 02 Dec 2021

Most viewers will find themselves wishing that writer/director Patrick Ridremont had come up with a few variations on this standard theme in…

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Review of Listening to Kenny G (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 02 Dec 2021

There are points early in this documentary where you might wonder if it really needed to be a feature (one can imagine a cut-down 60 Minutes…

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Review of Life of Crime: 1984-2020 (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 30 Nov 2021

It’s a powerful piece of work that details how communities on the edge of lawlessness and poverty were overwhelmed by drugs in the ‘80s…

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Review of Dreamland: The Burning of Black Wall Street (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 30 Nov 2021

After the story of the Tulsa Massacre entered the national consciousness because of Damon Lindelof’s “Watchmen” and Misha Green’s “Lovecraft…

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Review of 14 Peaks: Nothing Is Impossible (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 29 Nov 2021

This movie shows us the teamwork, the dedication, the national pride, the astonishing vistas, and the reason that Purja and his team deserve…

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Review of Resident Evil: Welcome to Raccoon City (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 24 Nov 2021

It's depressingly easy to chart where this film is going to go and who's going to make it to the inevitable sequel…

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Review of The Unforgivable (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 24 Nov 2021

This is three movies in one, each of which is progressively worse…

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Review of Drive My Car (2021)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 24 Nov 2021

A thoughtful and tearful ride in which the destination is a spiritual confrontation with oneself, Drive My Car devastates and comforts through…

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Review of A Boy Called Christmas (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 24 Nov 2021

A Boy Called Christmas is a resplendent Santa Claus origin story with a star-filled cast, sumptuous visuals, and some melancholy details to…

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Review of Writing with Fire (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 24 Nov 2021

Writing with Fire is a powerful piece of work, although it moves at a mostly slow and steady pace…

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Review of The Summit of the Gods (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 24 Nov 2021

It’s in the climbing sequences that the movie’s animation is at its most imaginative, creating effects both exhilarating and harrowing…

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Review of Licorice Pizza (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 24 Nov 2021

Paul Thomas Anderson’s golden, shimmering vision of the 1970s San Fernando Valley in Licorice Pizza is so dreamy, so full of possibility,…

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Review of Encanto (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 24 Nov 2021

Similar to how Pixar’s Coco paid tribute to Mexican culture, Encanto holds many nods to its Colombian roots, from the use of flowers and…

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Review of 8-Bit Christmas (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 24 Nov 2021

8-Bit Christmas may have a more grounded approach to gamer culture than you'd expect, but it’s constantly beat by its own limited imagination…

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Review of The Humans (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 24 Nov 2021

At times the movie feels like Hereditary without the supernatural elements and gore…

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Review of House of Gucci (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 23 Nov 2021

Scott’s soapy epic—his second cinematic outing this year after the superior (and also partly campy) “The Last Duel”—isn’t exactly…

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