Movie Reviews Published by RogerEbert.com - Page 44 of 279

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Review of Clerk (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 23 Nov 2021

Watching Smith's buddies pay him heartfelt tribute is one thing, but that doesn’t make spending so much time (115 minutes…

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Review of Kurt Vonnegut: Unstuck in Time (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 22 Nov 2021

There is, nevertheless, something to be said for a documentary that tries to do something different and perhaps impossible, even if it doesn't…

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Review of Black Friday (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 22 Nov 2021

It’s an easy watch in a B-movie marathon but you’ll have forgotten it by the time you’re done with the Thanksgiving leftovers…

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Review of The Feast (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 22 Nov 2021

There are endless horror movies out there in which a slow burn seems like it's just killing time before it's actually time to kill…

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Review of The Killing of Kenneth Chamberlain (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 22 Nov 2021

It’s a stunning showcase for the great character actor Frankie Faison, who conveys Chamberlain’s confusion and terror with palpable empathy…

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Review of I Was a Simple Man (2021)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 22 Nov 2021

A 100-minute spell of beauty and melancholy, intimate and grand in equal measure, a film that derives its power from the universality of its…

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Review of Zeros and Ones (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 22 Nov 2021

Ferrara’s filmmaking always has a blunt elemental force and conviction…

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Review of tick, tick... BOOM! (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 22 Nov 2021

Miranda, who starred as Larson in a theatrical performance of this play, directs the film with a deep understanding of the passion, struggle,…

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Review of The Feast (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 22 Nov 2021

There are endless horror movies out there in which a slow burn seems like it's just killing time before it's actually time to kill…

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Review of Ghostbusters: Afterlife (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 22 Nov 2021

Behold the craven exercise in hollow nostalgia that is Ghostbusters: Afterlife…

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Review of Bad Luck Banging or Loony Porn (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 22 Nov 2021

It seems more likely that this is a film about discoveries rather than statements, with the camera following people and then abandoning them…

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Review of C'mon C'mon (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 18 Nov 2021

C’mon C’mon is the kind of movie that invites reflection. It’s not building towards a larger cinematic event or full of explosions…

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Review of Jagged (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 18 Nov 2021

Jagged rides the wave of that excitement, but avoids opportunities to explore deeper below the surface…

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Review of Bruised (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 17 Nov 2021

Berry’s Bruised is a familiar comeback tale relying on the inner-city motifs of 1990s hood films to deliver a melodramatic, barely coherent…

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Review of The Power of the Dog (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 17 Nov 2021

The game of wits between Phil and everyone else is a chilling one to watch, and it’s exactly the kind of end-of-the-year movie to finish…

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Review of Prayers for the Stolen (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 17 Nov 2021

Of all of the things Tatiana Huezo captures in Prayers for the Stolen, her first narrative feature, the terror of the night is most unnerving…

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Review of King Richard (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 16 Nov 2021

King Richard is half sports movie, half biopic. As such, it hits the sweet spots and sour notes of both genres…

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Review of A Choice of Weapons: Inspired by Gordon Parks (2021)

By Matt Fagerholm (98) for RogerEbert.com (5,563) on 15 Nov 2021

Maggio’s film is also deeply moving in how it illustrates the ways in which a single life can have an eternal ripple effect throughout the…

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Review of Love Is Love Is Love (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 15 Nov 2021

It draws together a first-rank cast of character actresses and actors, most of them over 50, then mostly fails to invest the material with…

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Review of This Is Not a War Story (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 13 Nov 2021

A film that is a somewhat uneven journey, though one that proves to be ultimately rewarding in the end…

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