Movie Reviews Published by RogerEbert.com - Page 42 of 279

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Review of Spider-Man: No Way Home (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 14 Dec 2021

Yes, of course, “No Way Home” is incredibly calculated, a way to make more headlines after killing off so many of its event characters…

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Review of West Side Story (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 10 Dec 2021

There’s so much beauty in this West Side Story…

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Review of Back to the Outback (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 10 Dec 2021

The problem here is a recurring one with recent family entertainment and it's how little there is below the repetitive surface…

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Review of Don't Look Up (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 10 Dec 2021

A disastrous movie, Don’t Look Up shows McKay as the most out of touch he’s ever been with what is clever, or how to get his audience to care…

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Review of France (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 10 Dec 2021

In theory, that sort of self-victimization could be funny; in this reality, not so much…

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Review of Being the Ricardos (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 10 Dec 2021

It is with a zippy touch and a number of questionable directorial choices—Sorkin is still a much better writer than director—as well as…

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Review of Red Rocket (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 10 Dec 2021

Despite its missteps, this is Baker's best-directed film, judged purely in terms of how economically he sets up and pays off each mile marker…

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Review of National Champions (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 10 Dec 2021

You need a blackboard full of X’s and O’s to keep track of the petty plays this movie's running…

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Review of Agnes (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 10 Dec 2021

Cinematographer Samuel Calvin is to be commended for his striking work, and Reece shows an intuitive understanding of when to move the camera,…

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Review of The Last Son (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 10 Dec 2021

Director Tim Sutton, working from a script by Greg Johnson, offers some striking visuals and a couple of compelling performances…

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Review of Mr. Saturday Night (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 09 Dec 2021

The movie gives pretty good showbiz lore but not much depth…

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Review of The Forever Prisoner (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 06 Dec 2021

The extremes uncovered in this film become revealing of what we accept as necessary, in what we as a nation rationalize as justice even without…

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Review of Silent Night (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 03 Dec 2021

Writer/director Camille Griffin’s feature filmmaking debut is an ambitious but muddled mix of Christmas comedy and apocalyptic drama…

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Review of Benedetta (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 03 Dec 2021

There are times when Verhoeven is throwing so many ideas into his purposefully overcrowded screenplay that it starts to feel unfocused, like…

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Review of Try Harder! (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 03 Dec 2021

Try Harder! is a charming dark comedy with a light touch, with part of its self-deprecating humor right there in the title…

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Review of Encounter (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 03 Dec 2021

For a while Pearce does a very clever balancing act, taking everyday unpleasantries and grotesqueries of life and exaggerating them just so…

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Review of Citizen Ashe (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 03 Dec 2021

By the time we get to Ashe’s AIDS-related activism, and the horrible way USA Today twisted his arm into revealing his diagnosis, Citizen…

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Review of Mixtape (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 03 Dec 2021

The contrast between the edgy, high-energy songs and the thinly-drawn characters and predictable storyline will make it of most interest to…

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Review of Encounter (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 03 Dec 2021

For a while Pearce does a very clever balancing act, taking everyday unpleasantries and grotesqueries of life and exaggerating them just so…

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Review of The Hand of God (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 03 Dec 2021

With his rich coming-of-age drama The Hand of God, Italian filmmaker Paolo Sorrentino not only courts, but squashes comparisons to formative…

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