Movie Reviews Published by RogerEbert.com - Page 41 of 279

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Review of See for Me (2022)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 07 Jan 2022

Although their work is ultimately not enough to make “See for Me” anything more than a gimmick movie that never quite pays off, Davenport…

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Review of The 355 (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 07 Jan 2022

The 355 amasses some of the most talented and electrifying actresses in the world, then squanders them in a generic and forgettable action picture…

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Review of The Wasteland (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 06 Jan 2022

The Wasteland is the unique case of a horror movie with a more robust visual sense than a lot of its contemporaries, but that still doesn’t…

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Review of Parallel Mothers (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 03 Jan 2022

The Spanish maestro knows precisely how to get all the colors out of his charismatic muse, and in turn, the veteran star takes his material…

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Review of American Underdog (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 03 Jan 2022

The problem, though, is that American Underdog doesn't ever really connect the modest virtuousness of Kurt and Brenda to Kurt's ascension as…

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Review of A Journal for Jordan (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 03 Jan 2022

It wears its heart on its sleeve, unpretentious and sincere as a homemade valentine…

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Review of Jockey (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 29 Dec 2021

This is a drama that prizes journalistic or documentary values, as well as the epic naturalism of films by directors like Terrence Malick and…

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Review of Memoria (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 27 Dec 2021

Memoria is a sensory experience, but it takes a performer like Swinton to amplify Joe’s technique…

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Review of The Tragedy of Macbeth (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 23 Dec 2021

This “Macbeth” is as much about mood as it is about verse…

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Review of The Tragedy of Macbeth (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 23 Dec 2021

This “Macbeth” is as much about mood as it is about verse…

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Review of The Velvet Queen (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 22 Dec 2021

The Velvet Queen is at its strongest when it allows for silence on this gorgeous landscape, using only its mesmerizing score to elevate the…

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Review of Sing 2 (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 22 Dec 2021

The best family films capture the imaginations of younger viewers and teach them the power of storytelling in ways that can affect them for…

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Review of The King's Man (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 22 Dec 2021

It’s a film that is too often trying to be a serious study of politics, warfare, and pacifism until it slaps you in the face with a reminder…

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Review of The Matrix Resurrections (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 21 Dec 2021

There’s incredible merit in the action seen in “The Matrix Resurrections,” but those aren’t the elements that free the mind of the…

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Review of Swan Song (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 17 Dec 2021

Touching on issues of identity, integrity, and grief, “Swan Song” never feels formulaic due to the complex, committed performances of its…

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Review of The Tender Bar (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 17 Dec 2021

This is the same young man's coming-of-age story you’ve seen over and over. Nothing new has been added…

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Review of The Novice (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 17 Dec 2021

The feature filmmaking debut from writer/director/co-editor Lauren Hadaway is an intimate and powerful sensory experience all around, but it’s…

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Review of The Lost Daughter (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 17 Dec 2021

Harrowing, unpredictable, painful, confrontational, this is a movie for grown-ups…

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Review of Nightmare Alley (2021)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 17 Dec 2021

Even those unfamiliar with one or both materials can detect the cyclical parable del Toro establishes through his understanding and repurposing…

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Review of Margrete: Queen of the North (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 17 Dec 2021

Although it's undeniably well-made, it lacks the kind of energy that might have helped make it truly come alive, and seem like more than a…

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