Movie Reviews Published by RogerEbert.com - Page 40 of 279

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Review of Last Looks (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 04 Feb 2022

Last Looks works best in its twisted often-incoherent plot, where no character is generic. Everyone has a secret. No one is on the level…

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Review of Jackass Forever (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 03 Feb 2022

It is equal parts Buster Keaton-Jackie Chan slapstick extravaganza, WWE-styled spectacle, and geek trick…

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Review of The Requin (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 31 Jan 2022

Fans of cheap thrills and cheesy B-movies are sure to be frustrated by The Requin, a new shark pic that waits about an hour before introducing…

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Review of Clean (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 28 Jan 2022

Again, merely watching Brody engaging in such painstaking work is interesting; the generic bloodbath that ensues, less so…

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Review of Home Team (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 28 Jan 2022

Pretend it’s not a “true story” and it’s still a shallow representation of sports, parenthood, and comedy, with almost no laughs…

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Review of Brighton 4th (2022)

By Matt Fagerholm (98) for RogerEbert.com (5,563) on 28 Jan 2022

Georgian filmmaker Levan Koguashvili’s Tribeca prize-winner, “Brighton 4th,” is a tragicomedy that sneaks up on you stealthily before…

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Review of Clean (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 28 Jan 2022

Again, merely watching Brody engaging in such painstaking work is interesting; the generic bloodbath that ensues, less so…

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Review of Sundown (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 28 Jan 2022

Is it a compliment or a slam to say that Sundown could be the saddest Curb Your Enthusiasm episode ever…

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Review of Sundown (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 28 Jan 2022

Is it a compliment or a slam to say that Sundown could be the saddest Curb Your Enthusiasm episode ever…

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Review of After Yang (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 27 Jan 2022

So many visions of the future seem distant, but “After Yang” hits home in how it centers connection and experience to which we can all…

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Review of Compartment No. 6 (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 25 Jan 2022

An observation that when you’re running away, it doesn’t matter where you’re running to as much as it matters where you’re running…

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Review of The King's Daughter (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 21 Jan 2022

It's a vast understatement to say that Vonda McIntyre's book deserved way better treatment than this…

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Review of Redeeming Love (2022)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 21 Jan 2022

The biggest problem is that the most touching moments are hammered so hard…

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Review of Munich - The Edge of War (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 21 Jan 2022

The British WWII drama “Munich - The Edge of War” starts off as a prim spy thriller and ends as an insufferable civics lesson…

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Review of Who We Are: A Chronicle of Racism in America (2022)

By Matt Fagerholm (98) for RogerEbert.com (5,563) on 14 Jan 2022

Robinson is matter-of-fact, thoughtful and enormously compelling in illustrating hidden chapters of our shared history…

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Review of Hotel Transylvania: Transformania (2022)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 14 Jan 2022

With its Indiana Jones-style adventure, Hotel Transylvania: Transformania combines monster powers lost and found (love those innumerable wolf…

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Review of Borrego (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 14 Jan 2022

Borrego, an awkward thriller pasted onto a moody strangers-forging-a-connection drama, doesn't allow itself to be what it so clearly wants to be…

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Review of Italian Studies (2022)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 14 Jan 2022

Frustrating in its repetitiveness, Leon’s third feature is like a narrative exercise fascinated by both memory and youth…

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Review of Superhost (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 10 Jan 2022

I wish it was a little more ambitious and had some more meat on its bones regarding internet culture and shared spaces, but it’s undeniably…

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Review of King Car (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 07 Jan 2022

King Car may leave viewers wondering about a number of basic questions (mostly related to the plot), but it also often feels open and precise…

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