Movie Reviews Published by RogerEbert.com - Page 30 of 279

581-600 of 5,563 Reviews

Sort by:

Review of Fourth of July (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 01 Jul 2022

This is the kind of earnest but inept and obliviously indulgent indie flick that a film festival's artistic director would program in full…

Read Review

Review of Mr Malcolm's List (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 01 Jul 2022

Based on the book by Suzanne Allain, who also wrote the script, Mr…

Read Review

Review of Endangered (2022)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 28 Jun 2022

Endangered is unlikely to change the minds of anti-press zealots (not that they'd even be watching it in the first place) but others will hopefully…

Read Review

Review of Endangered (2022)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 28 Jun 2022

Endangered is unlikely to change the minds of anti-press zealots (not that they'd even be watching it in the first place) but others will hopefully…

Read Review

Review of First Love (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 27 Jun 2022

First Love is an earnest but unremarkable romance wrapped around an intelligent and sometimes powerful story of the destruction that capitalism…

Read Review

Review of The Man from Toronto (2022)

By Odie Henderson (402) for RogerEbert.com (5,563) on 24 Jun 2022

Director Patrick Hughes’ latest is both 112 minutes, and a hodgepodge of so many other movies that it becomes the most obnoxious of cinematic…

Read Review

Review of Flux Gourmet (2022)

By Craig D. Lindsey (161) for RogerEbert.com (5,563) on 24 Jun 2022

Flux Gourmet is an out-of-control movie about people who are constantly trying to gain some sort of control, either over each other or whatever…

Read Review

Review of Beavis and Butt-Head Do the Universe (2022)

By Robert Daniels (336) for RogerEbert.com (5,563) on 23 Jun 2022

While most sequels invite comfort through the familiar, this film’s best moment arrives through Judge grappling with his signature humor…

Read Review

Review of The Black Phone (2022)

By Peyton Robinson (23) for RogerEbert.com (5,563) on 23 Jun 2022

Stylistically, the film is nostalgic, reminiscent of vintage photographs and the era of striped baby tees, flared jeans, and The Ramones…

Read Review

Review of Elvis (2022)

By Robert Daniels (336) for RogerEbert.com (5,563) on 22 Jun 2022

Elvis certainly works as a jukebox, and it does deliver exactly what you’d expect from a Luhrmann movie…

Read Review

Review of Marcel the Shell with Shoes On (2022)

By Carla Renata (6) for RogerEbert.com (5,563) on 21 Jun 2022

Marcel the Shell with Shoes On will make your spirit soar and remind you to enjoy those you love, inhale a bit of fresh air, and respect the…

Read Review

Review of Beba (2022)

By Niani Scott (4) for RogerEbert.com (5,563) on 20 Jun 2022

Rebeca Huntt's Beba is the coming-of-age story that Black American children have been waiting for, a documentary that encompasses every step…

Read Review

Review of The Witch: Part 2. The Other One (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 20 Jun 2022

I’m not sure where this particular wannabe franchise is going or if anybody but initiated viewers will care to find out, but I could watch…

Read Review

Review of Civil: Ben Crump (2022)

By Odie Henderson (402) for RogerEbert.com (5,563) on 17 Jun 2022

CIVIL won’t change any minds about its subject, but it does a good job of delivering “fly on the wall” observations of the year it covers…

Read Review

Review of Spiderhead (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 17 Jun 2022

Though it starts with promise, Spiderhead is pseudo-heady sci-fi stuff that treats its most intriguing elements like an afterthought, and misses…

Read Review

Review of Abandoned (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 17 Jun 2022

Instead of ratcheting up tension, Squire seems content to sustain a minor-stakes atmosphere that, well, abandons his leading lady in a film…

Read Review

Review of Bitterbrush (2022)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 17 Jun 2022

Despite my ostensible disinterest in the subject at hand, I found myself mesmerized by this spare, affecting, and powerfully humane work that…

Read Review

Review of Good Luck to You, Leo Grande (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 17 Jun 2022

Everything depends on the feel of the moment, the way the actors look at each other, or listen, or react…

Read Review

Review of Cha Cha Real Smooth (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 17 Jun 2022

Raiff offers some impressive tonal mixtures and narrative surprises along the way, and even though his third act sags a bit, the performances—particularly…

Read Review

Review of The Lost Girls (2022)

By Marya E. Gates (65) for RogerEbert.com (5,563) on 17 Jun 2022

Incoherently directed, thematically muddled, and poorly acted, writer/director/producer/star Livia De Paolis’ drama The Lost Girls should…

Read Review

Page 30 of 279

RogerEbert.com features reviews by:

Top publishers this month:

Popular Movies Right Now

Talk to Me

2023

74%83 Reviews

A Simple Favor

2018

69%617 Reviews

Bullet Train

2022

66%170 Reviews

The Voyeurs

2021

58%19 Reviews

Godzilla vs. Kong

2021

66%184 Reviews

Upgrade

2018

76%696 Reviews

Spider-Man: Across the Spider-Verse

2023

85%233 Reviews

Gone Girl

2014

81%1,229 Reviews

Parasite

2019

87%251 Reviews

Ghostbusters: Afterlife

2021

66%228 Reviews