Review of Elvis (2022) by Robert Daniels for RogerEbert.com — 22 Jun 2022
Elvis certainly works as a jukebox, and it does deliver exactly what you’d expect from a Luhrmann movie. But it never gets close to Presley; it never deals with the knotty man inside the jumpsuit; it never grapples with the complications in his legacy.
It’s overstuffed, bloated, and succumbs to trite biopic decisions.
You can read the full review where it was originally posted online.
This review of Elvis (2022) was written by Robert Daniels and published by RogerEbert.com on 22 Jun 2022.
Elvis has generally received positive reviews.
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