Review of The Black Phone (2022) by Peyton Robinson for RogerEbert.com — 23 Jun 2022
Stylistically, the film is nostalgic, reminiscent of vintage photographs and the era of striped baby tees, flared jeans, and The Ramones. Warm browns and oranges, film grain, and filtered light flood the screen.
But this idyllic '70s suburbia is corrupted by Derrickson’s horror.
You can read the full review where it was originally posted online.
This review of The Black Phone (2022) was written by Peyton Robinson and published by RogerEbert.com on 23 Jun 2022.
The Black Phone has generally received positive reviews.
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