Movie Reviews Published by Indiewire - Page 9 of 182

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Review of Past Lives (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 23 Jan 2023

The absolute immediacy of Lee’s performance allows you to feel every frame of Past Lives on your skin, which is crucial to a film that conveys…

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Review of Past Lives (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 23 Jan 2023

The absolute immediacy of Lee’s performance allows you to feel every frame of Past Lives on your skin, which is crucial to a film that conveys…

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Review of The Pod Generation (2023)

By Kate Erbland (681) for IndieWire (3,631) on 23 Jan 2023

Strong performances by both Clarke and Chiwetel Ejiofor, plus compelling production design from Clem Price Thomas (the pods and the wider world…

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Review of The Starling Girl (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 Jan 2023

The power of this sensitive and devilishly detailed coming-of-age drama is rooted in the friction that it finds between biblical paternalism…

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Review of STILL: A Michael J. Fox Movie (2023)

By Esther Zuckerman (46) for IndieWire (3,631) on 22 Jan 2023

Fox is nothing if not a likable figure, and he and Guggenheim have crafted a likable film about both his suffering and resilience without turning…

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Review of Infinity Pool (2023)

By Ryan Lattanzio (73) for IndieWire (3,631) on 22 Jan 2023

Stars Alexander Skarsgärd and Mia Goth deliver terrifically unhinged performances as a failing novelist and a mysterious tour guide, and Cronenberg…

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Review of 20 Days in Mariupol (2023)

By Adam Solomons (5) for IndieWire (3,631) on 22 Jan 2023

If 20 Days in Mariupol is about anything, it’s how much destruction can be done in such a short time…

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Review of You People (2023)

By Christian Zilko (32) for IndieWire (3,631) on 20 Jan 2023

You People ends up being more of a feel-good rom-com and love letter to Los Angeles than a truly biting satire, but you’d have to hate fun…

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Review of There's Something Wrong with the Children (2023)

By Christian Zilko (32) for IndieWire (3,631) on 19 Jan 2023

The latest Blumhouse movie about creepy kids is a fitting addition to one of horror’s most reliable subgenres, and it manages to elevate…

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Review of Shotgun Wedding (2022)

By Ella Kemp (95) for IndieWire (3,631) on 19 Jan 2023

Shotgun Wedding falls flat as any kind of explosive or endearing couples comedy, but shines in moments thanks to the women anchoring its pirate…

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Review of Missing (2023)

By Vikram Murthi (112) for IndieWire (3,631) on 13 Jan 2023

The many logic-defying developments in “Missing” make it difficult to hold one’s attention, especially considering that the film gives…

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Review of House Party (2023)

By Jude Dry (205) for IndieWire (3,631) on 12 Jan 2023

Though Latimore and Cole have enough charisma to skate by, the movie lacks the originality and scrappiness of its inspiration…

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Review of House Party (2023)

By Jude Dry (205) for IndieWire (3,631) on 12 Jan 2023

Though Latimore and Cole have enough charisma to skate by, the movie lacks the originality and scrappiness of its inspiration…

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Review of Plane (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Jan 2023

Plane may not take you anywhere you’ve never gone before, but if you’re buying a ticket to a movie called Plane, odds are it will get you…

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Review of Skinamarink (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 10 Jan 2023

While Skinamarink is rather devious for how it lulls viewers into an uneasy stupor — Ball’s esoteric design and go-nowhere pace lower your…

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Review of The Offering (2022)

By Christian Zilko (32) for IndieWire (3,631) on 10 Jan 2023

By combining genuine human drama and an exploration of a mysterious sacred text with a ridiculously entertaining plot about a child-stealing…

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Review of Candy Land (2023)

By Christian Zilko (32) for IndieWire (3,631) on 06 Jan 2023

Watching Candy Land is a lot like eating beef jerky from a truck stop…

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Review of The Old Way (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 Jan 2023

The first part of the problem is that Donowho’s competent but uncompelling oater doesn’t have enough fresh meat on its bones to fill out…

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Review of M3GAN (2022)

By Kate Erbland (681) for IndieWire (3,631) on 04 Jan 2023

Its creators are so clearly on the same insane wavelength, nimbly blending camp and social satire and actual terror, that “M3GAN” is poised…

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Review of A Man Called Otto (2022)

By Jude Dry (205) for IndieWire (3,631) on 28 Dec 2022

While “Otto” may reach fresh audiences who’d otherwise balk at subtitles, this sluggish rendition is unlikely to inspire anyone to seek…

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