Movie Reviews Published by Indiewire - Page 10 of 182

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Review of Joyride (2022)

By Jude Dry (205) for IndieWire (3,631) on 23 Dec 2022

Though the inimitable Colman can’t help but muscle an admirable performance out of the overly sentimental material, her immense talent dwarfs…

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Review of The Pale Blue Eye (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 Dec 2022

The Pale Blue Eye begins to double as a stiff but fanciful origin story for both Edgar Allen Poe and also the detective genre he would later…

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Review of Whitney Houston: I Wanna Dance with Somebody (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 21 Dec 2022

A music biopic so broad and hacky it makes “Jersey Boys” seem like “All that Jazz,” Kasi Lemmons’ well-acted but laughably trite…

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Review of Babylon (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 16 Dec 2022

It reminds us the movies have been dying for more than 100 years, and then — through its heart-bursting, endearingly galaxy-brained prayer…

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Review of Babylon (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 16 Dec 2022

It reminds us the movies have been dying for more than 100 years, and then — through its heart-bursting, endearingly galaxy-brained prayer…

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Review of Freedom on Fire: Ukraine's Fight for Freedom (2022)

By Leila Latif (37) for IndieWire (3,631) on 14 Dec 2022

It’s a challenge to conclude a documentary on an ongoing and fast-evolving conflict…

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Review of Pelosi in the House (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 14 Dec 2022

In trying to thread the needle between a tribute and a testimony, Pelosi in the House ultimately succeeds as neither…

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Review of Jurassic Punk (2022)

By Robert Daniels (336) for IndieWire (3,631) on 13 Dec 2022

“Spaz” works best when, within the film’s fascinating unpacking of cinematic history, Leberecht also interrogates the unfair practice…

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Review of Avatar: The Way of Water (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Dec 2022

For now, the only thing that matters is that after 13 years of being a punchline, “going back to Pandora” just became the best deal on…

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Review of Something from Tiffany's (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 08 Dec 2022

Adapted from the Melissa Hill novel of the same name, Something from Tiffany’s starts with a premise sweatier than Patrick Ewing at halftime,…

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Review of Framing Agnes (2022)

By Jude Dry (205) for IndieWire (3,631) on 02 Dec 2022

Unfortunately, Framing Agnes gets too wrapped up in the questions surrounding storytelling to do any actual storytelling…

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Review of Tantura (2022)

By Siddhant Adlakha (174) for IndieWire (3,631) on 02 Dec 2022

The film depends too greatly on its sense of academia to unearth its story, and it struggles to fully engage with the explosive topic at hand…

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Review of Emancipation (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 30 Nov 2022

American movie-watchers are used to consuming their history lessons with a heavy layer of artificial butter on top, but William N…

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Review of Violent Night (2022)

By Kate Erbland (681) for IndieWire (3,631) on 29 Nov 2022

If you can vibe with that whiplash-inducing comedic opening — gallons of vomit mixed with some magical holiday sweetness — you just might…

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Review of Spoiler Alert (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Nov 2022

It made me cry at the end, but my tears were as canned and untrustworthy as the sound of a sitcom laugh track…

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Review of Puss in Boots: The Last Wish (2022)

By Emma Stefansky (22) for IndieWire (3,631) on 27 Nov 2022

“The Last Wish” has no qualms about testing the expectations of its young audience while delivering a freewheeling tale about appreciating…

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Review of Bantú Mama (2022)

By Jude Dry (205) for IndieWire (3,631) on 18 Nov 2022

Artfully told and tenderly performed, Bantú Mama maps the history of the African diaspora in the Caribbean onto a tightly focused and compelling…

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Review of Disenchanted (2022)

By Samantha Bergeson (25) for IndieWire (3,631) on 18 Nov 2022

Much like its message, Disenchanted reminds us that every moment has the potential for providing us with a happily ever after, but it’s the…

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Review of Christmas with You (2022)

By Samantha Bergeson (25) for IndieWire (3,631) on 17 Nov 2022

Christmas with You is almost unwatchably dull, solely sparking the desire to fast-forward through the out-of-touch jokes about selfies and…

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Review of The People We Hate at the Wedding (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 17 Nov 2022

A short, patchy, straight-to-streaming piece of semi-amusing content that tries to fit several different romantic-comedies into a single movie…

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