Movie Reviews Published by Indiewire - Page 8 of 182

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Review of Biosphere (2023)

By Emma Stefansky (22) for IndieWire (3,631) on 06 Feb 2023

Biosphere is tons of fun as a character study, but its ideas will leave you gazing out of its geodesic windows, wishing there was something…

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Review of Strange World (2022)

By Emma Stefansky (22) for IndieWire (3,631) on 06 Feb 2023

It’s tough to watch a movie whose rootbound nostalgia keeps it from making good on the promise those stories made to show us something we’ve…

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Review of Love in the Time of Fentanyl (2023)

By Jude Dry (205) for IndieWire (3,631) on 03 Feb 2023

Each time the film shows the urgent revival of someone experiencing an overdose, we are reminded this is an everyday occurrence for these unsung…

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Review of Body Parts (2023)

By Jude Dry (205) for IndieWire (3,631) on 02 Feb 2023

Objects become subjects in Kristy Guevara-Flanagan’s sweeping yet focused analysis that exposes the truth about the power of images to shape…

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Review of Knock at the Cabin (2023)

By Ryan Lattanzio (73) for IndieWire (3,631) on 01 Feb 2023

As sturdily crafted as Knock at the Cabin may be, Shyamalan’s funny games never achieve the profundity they’re reaching for, ending up…

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Review of Talk to Me (2023)

By Robert Daniels (336) for IndieWire (3,631) on 28 Jan 2023

A bundle of taut nerves stretched to their vomit-inducing breaking point, Talk to Me, the directorial feature debut from Australian Youtube…

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Review of Landscape with Invisible Hand (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Jan 2023

Finley often seems to be at the mercy of his material’s strangeness…

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Review of passages (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Jan 2023

The raw and resonant Passages is the kind of fuck around and find out love triangle that rings true because we aspire to its sexier moments…

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Review of Kokomo City (2023)

By Jude Dry (205) for IndieWire (3,631) on 28 Jan 2023

Smith’s music and photography instincts carry the film cinematically, but the real stars of Kokomo City are its honest and dynamic subjects…

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Review of The Deepest Breath (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Jan 2023

Given the brief period of time that separated romance and tragedy, it’s understandable that McGann might have been grasping at straws, but…

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Review of Passages (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Jan 2023

The raw and resonant Passages is the kind of fuck around and find out love triangle that rings true because we aspire to its sexier moments…

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Review of Rye Lane (2023)

By Esther Zuckerman (46) for IndieWire (3,631) on 28 Jan 2023

Delightful ... [Rye Lane] takes a simple premise and infuses it with warm performances and a distinct sense of place…

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Review of Scrapper (2023)

By Adam Solomons (5) for IndieWire (3,631) on 28 Jan 2023

Although Scrapper — and Georgie — have some rough edges, Regan’s film is remarkably gentle, without being schmaltzy…

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Review of Talk to Me (2023)

By Robert Daniels (336) for IndieWire (3,631) on 28 Jan 2023

A bundle of taut nerves stretched to their vomit-inducing breaking point, Talk to Me, the directorial feature debut from Australian Youtube…

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Review of Theater Camp (2023)

By Kate Erbland (681) for IndieWire (3,631) on 27 Jan 2023

Being a theater geek isn’t required to enjoy Theater Camp, but it certainly can’t hurt…

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Review of A Thousand and One (2023)

By Ryan Lattanzio (73) for IndieWire (3,631) on 27 Jan 2023

Rockwell’s direction is sophisticated and visually imaginative even as the movie could benefit from a tighter edit around its New York cast…

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Review of Earth Mama (2023)

By Ryan Lattanzio (73) for IndieWire (3,631) on 25 Jan 2023

What sounds, on paper, like a challenging sit is actually a wondrous 97-minute feature, whose director and star are obviously poised for greatness…

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Review of Polite Society (2023)

By Kate Erbland (681) for IndieWire (3,631) on 24 Jan 2023

As inspirational as it is entertaining, “Polite Society” is a strong debut from Manzoor and a rallying cry for a whole swath of brand-new…

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Review of Run Rabbit Run (2024)

By Ryan Lattanzio (73) for IndieWire (3,631) on 23 Jan 2023

A predictably terrific Sarah Snook goes full-blown feral in the Australian horror movie Run Rabbit Run, but its final-act destination isn’t…

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Review of You Hurt My Feelings (2023)

By Kate Erbland (681) for IndieWire (3,631) on 23 Jan 2023

The shagginess of it, the missteps, the rambling bits are pleasurable enough, and there are plenty of laughs and insights here, but there’s…

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