Movie Reviews Published by Indiewire - Page 82 of 182

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Review of Aquaman (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 11 Dec 2018

In a better world, Aquaman would excel at delivering an ecological message to the masses…

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Review of Bumblebee (2018)

By Liz Shannon Miller (69) for indieWire (3,631) on 09 Dec 2018

What Bumblebee does best is remember that this is a franchise for the young, and embrace that fact without any shame while also still delivering…

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Review of Dumplin' (2018)

By Kate Erbland (681) for IndieWire (3,631) on 08 Dec 2018

Lessons about loving oneself, accepting one’s faults, and being the best version of yourself are cheesy, but not without purpose…

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Review of Divide and Conquer: The Story of Roger Ailes (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 Dec 2018

Divide and Conquer” illustrates the similarities between Ailes and Trump so well that the documentary’s happy ending can’t help but leave…

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Review of Mortal Engines (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 05 Dec 2018

Even at its worst (which is where it often resides), “Mortal Engines” is still a rousing advertisement for the theatrical experience…

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Review of Evelyn (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Nov 2018

To quote a poem that Orlando reads toward the end, the dead are “not gone, but merely within you.” This urgent and beautiful documentary…

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Review of May the Devil Take You (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Nov 2018

Tjahjanto is a talented filmmaker with a penchant for messiness and the power to will his visions to the screen, but May the Devil Take You…

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Review of Spider-Man: Into the Spider-Verse (2018)

By David Ehrlich (1,229) for indieWire (3,631) on 28 Nov 2018

Tragic news for anyone who’s sick of superhero movies: Spider-Man: Into the Spider-Verse completely reinvigorates the genre, reaffirms why…

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Review of What She Said: The Art of Pauline Kael (2019)

By Kate Erbland (681) for IndieWire (3,631) on 28 Nov 2018

Despite that iffy start, Garver’s film blossoms into something more comprehensive than complimentary, a film that doesn’t balk at the trickier…

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Review of Mowgli: Legend of the Jungle (2018)

By Kate Erbland (681) for IndieWire (3,631) on 28 Nov 2018

For every scene of dazzling wonder, there’s another of outsized horror; for every big cat who looks ready to jump off the screen, there’s…

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Review of Robin Hood (2018)

By David Ehrlich (1,229) for indieWire (3,631) on 20 Nov 2018

If nothing else, this accidentally hilarious, goofy train wreck of an origin story most definitely has the courage of its convictions…

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Review of Ghostbox Cowboy (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 20 Nov 2018

Ghostbox Cowboy truly defies categorization, and remains so unpredictable that no single viewing can resolve the fertile ideas it puts on the…

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Review of Second Coming (2014)

By Wendy Okoi-Obuli (1) for indieWire (3,631) on 19 Nov 2018

Second Coming is very much a festival film (or stage play, or short film, or experimental TV film) with an amazing premise, brilliant cast,…

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Review of Rewind This! (2013)

By Cory Everett (35) for indieWire (3,631) on 19 Nov 2018

Rewind This…

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Review of Coldplay: A Head Full of Dreams (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 16 Nov 2018

While nothing in your life may come as easily to you as everything in Coldplay’s lives seems to have come to them, this delightful and unexpectedly…

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Review of Creed II (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 16 Nov 2018

This slick and involving sequel finds Adonis continuing to work through the weight of his father’s death in the ring, follows all the familiar…

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Review of Mary Queen of Scots (2018)

By David Ehrlich (1,229) for indieWire (3,631) on 16 Nov 2018

While this flinty and forever relevant medieval drama perfectly embodies the struggles of its heroines, it also shares their fatal inability…

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Review of Ralph Breaks the Internet (2018)

By Kate Erbland (681) for IndieWire (3,631) on 14 Nov 2018

Younger audiences will surely benefit from its messaging, but with such vivid characters it’s entertaining and emotional for all ages…

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Review of Instant Family (2018)

By David Ehrlich (1,229) for indieWire (3,631) on 14 Nov 2018

Never as hackneyed as it is heartfelt, Instant Family takes the stuff of real life and turns it into a touching reminder of what love can do…

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Review of Bird Box (2018)

By Michael Nordine (446) for IndieWire (3,631) on 13 Nov 2018

Bier’s direction is coolly efficient, which fits the material to a t — anything more ostentatious would just feel wasteful…

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