Movie Reviews Published by Indiewire - Page 83 of 182

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Review of Amazing Grace (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 13 Nov 2018

Amazing Grace is soulful ear candy…

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Review of On the Basis of Sex (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 09 Nov 2018

On the Basis of Sex plays like a sunny fantasy from a more optimistic age…

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Review of Chef Flynn (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 09 Nov 2018

Meg is a complicated mother, but a very good one, and the love she harbors for her son permits Yates to detail the dynamic between the two…

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Review of Fantastic Beasts: The Crimes of Grindelwald (2018)

By Kate Erbland (681) for indieWire (3,631) on 08 Nov 2018

As impressive as the final showdown is (it’s easily one of the most impressive setpieces in this fledgling franchise) and as shocking as…

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Review of The Grinch (2018)

By David Ehrlich (1,229) for indieWire (3,631) on 07 Nov 2018

Bad as this movie can be, there are far worse things in our world than a story about the value of love and kindness, and the joy of sharing…

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Review of Meow Wolf: Origin Story (2018)

By Kate Erbland (681) for IndieWire (3,631) on 07 Nov 2018

While the particular brand of art that Meow Wolf crafts isn’t for everyone — audiences uninterested in participatory experiences may very…

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Review of Maine (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 Nov 2018

Unformed but deeply understanding, this super lo-fi two-hander is too sketchy to sustain itself all the way to the Pine Tree State, but it…

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Review of The Nutcracker and the Four Realms (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 31 Oct 2018

For a movie with so much stuff to look at, the only things you really see during The Nutcracker and the Four Realms are all of the recent movies…

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Review of Black Mountain Side (2016)

By John Anderson (1,358) for indieWire (3,631) on 24 Oct 2018

No one deserves what happens to them in Black Mountain Side, but as the deer-head deity would tell you, no one ever said it all had to make sense…

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Review of Life and Nothing More (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Oct 2018

Life and Nothing More may be shot with the unblinking attention of Frederick Wiseman’s films — and share their same broad scope of concerns…

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Review of The Girl in the Spider's Web (2018)

By Kate Erbland (681) for indieWire (3,631) on 23 Oct 2018

Lisbeth is never going to be cuddly or sunny, but that doesn’t mean she has to be robotic or impossible to read…

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Review of Stan & Ollie (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 22 Oct 2018

Stan & Ollie salutes an under-appreciated comedy duo while exploring the hardships of fading into the limelight; appropriately, the movie itself…

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Review of Bohemian Rhapsody (2018)

By David Ehrlich (1,229) for indieWire (3,631) on 22 Oct 2018

The critical failure of Bohemian Rhapsody is that, 134 minutes after the lights go down, the members of Queen just seem like four blokes who’ve…

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Review of Caniba (2017)

By Michael Nordine (446) for indieWire (3,631) on 18 Oct 2018

Caniba features no explanatory text or outside voices of any kind…

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Review of The Night Comes For Us (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 17 Oct 2018

The Night Comes for Us is an alternately giddy and exhausting ordeal — a film that somehow manages to squeeze in way more plot than it needs,…

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Review of Hunter Killer (2018)

By David Ehrlich (1,229) for indieWire (3,631) on 17 Oct 2018

Even among Gerard Butler vehicles, this one sinks right to the bottom…

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Review of Galveston (2018)

By David Ehrlich (1,229) for indieWire (3,631) on 16 Oct 2018

It takes far too long for Galveston to emerge from the novocaine of its various clichés and allow us to feel the tender flesh that bleeds…

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Review of They Shall Not Grow Old (2018)

By Mike Mccahill (552) for IndieWire (3,631) on 16 Oct 2018

Wearing its sincerity like an Armistice Day poppy, the resulting montage-film – which premiered at the London Film Festival ahead of future…

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Review of A Private War (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Oct 2018

A Private War resolves as such an effective memoir because even in its most clichéd moments — of which there are many — it resists easy…

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Review of Johnny English Strikes Again (2018)

By David Ehrlich (1,229) for indieWire (3,631) on 10 Oct 2018

While the gentle mediocrity of it all is somewhat charming at first — even with such tired material, Atkinson is still a reliably sweet and…

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