Movie Reviews Published by Indiewire - Page 81 of 182

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Review of EGG (2019)

By Kate Erbland (681) for IndieWire (3,631) on 16 Jan 2019

Egg shows the Scottish actor-director’s continuing ability to ground her films with strong character work and a buoyant sense of humor…

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Review of Fyre (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 14 Jan 2019

Reaping the benefits of a generation that compulsively records the evidence of their crimes, Fyre exploits a motherlode of private footage…

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Review of The Kid Who Would Be King (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 12 Jan 2019

Joe Cornish’s long-awaited and largely delightful follow-up to “Attack the Block” is a unicorn of a children’s fantasy movie: It’s…

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Review of The Last Resort (2018)

By Jude Dry (205) for IndieWire (3,631) on 10 Jan 2019

Sweet’s work is a time capsule of a bygone era, preserved in glorious, saturated technicolor…

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Review of A Dog's Way Home (2019)

By Jude Dry (205) for IndieWire (3,631) on 10 Jan 2019

For a movie with so much going on, (not even counting the CGI cougar Bella befriends), A Dog’s Way Home is wildly devoid of meaning or humor…

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Review of Glass (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 09 Jan 2019

The trouble with Glass isn’t that its creator sees his own reflection at every turn, or that he goes so far out of his way to contort the…

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Review of Escape Room (2019)

By Kate Erbland (681) for IndieWire (3,631) on 03 Jan 2019

For all its of-the-moment charms, Escape Room can’t shake its more basic genre trappings, eventually giving itself over to tired and predictable…

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Review of How to Train Your Dragon: The Hidden World (2019)

By Michael Nordine (446) for IndieWire (3,631) on 02 Jan 2019

The animation itself is striking — an early sequence in which the sky is filled with dragons is an early sign of the visual treats to come…

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Review of Ricky Gervais: Humanity (2018)

By Steve Greene (48) for indieWire (3,631) on 28 Dec 2018

Even when a few genuine spontaneous smiles sneak through, Humanity has the air of something Gervais feels obliged to do, either to feed some…

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Review of Fred Armisen: Standup for Drummers (2018)

By Steve Greene (48) for indieWire (3,631) on 28 Dec 2018

It ultimately feels like a novelty only Armisen could whip up…

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Review of Seth Rogen's Hilarity for Charity (2018)

By Steve Greene (48) for indieWire (3,631) on 26 Dec 2018

As an unapologetically messy collection of creations from some of the funniest people in the business, you could do worse than spending an…

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Review of Holmes & Watson (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 25 Dec 2018

The trouble with Holmes & Watson, a witless Sherlock Holmes spoof that supplies fewer laughs in its entirety than “Step Brothers” does…

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Review of All Is True (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Dec 2018

The result is a portrait that’s equally sullen and playful, clever and confused; for all its pleasures, All Is True never amounts to the…

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Review of Second Act (2018)

By Kate Erbland (681) for IndieWire (3,631) on 20 Dec 2018

Second Act never recovers from its big reveal, a cataclysmic (and nearly catastrophic) piece of narrative nuttiness that derails every scene,…

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Review of Welcome to Marwen (2018)

By David Ehrlich (1,229) for indieWire (3,631) on 19 Dec 2018

“The most original movie of the year?” Not quite…

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Review of Vice (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 17 Dec 2018

Buoyed by a brilliant transformation by Christian Bale, it offers a smart and detailed overview of Cheney’s elaborate ruse to exploit the…

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Review of Vice (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 17 Dec 2018

Buoyed by a brilliant transformation by Christian Bale, it offers a smart and detailed overview of Cheney’s elaborate ruse to exploit the…

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Review of Mary Poppins Returns (2018)

By David Ehrlich (1,229) for indieWire (3,631) on 12 Dec 2018

However refreshing the plotlessness and relative purity of Mary Poppins Returns might be, there’s a fine line between “nostalgic” and…

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Review of The Mule (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 12 Dec 2018

This soulful and deeply satisfying film — a fitting swansong, if ever there was one — makes a compelling argument that change is always…

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Review of Once Upon a Deadpool (2018)

By Kate Erbland (681) for IndieWire (3,631) on 12 Dec 2018

It's all a shell of itself, with Fred Savage on hand to occasionally note how weird this all is…

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