Movie Reviews Published by Indiewire - Page 80 of 182

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Review of The Last Black Man in San Francisco (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Feb 2019

Talbot has a gift for making twee material feel true, but his grip weakens during the pivotal home stretch of his debut, and as a result the…

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Review of The Death of Dick Long (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 01 Feb 2019

Dick Long,” which stems from Billy Chew’s script, lacks the same abstract weirdness that made “Swiss Army Man” such an indelible cinematic…

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Review of Extremely Wicked, Shockingly Evil and Vile (2019)

By Kate Erbland (681) for IndieWire (3,631) on 01 Feb 2019

More sad than salacious, it’s the rare film about a criminal that offers human details without humanizing a man who so many agree was a monster…

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Review of Miss Bala (2019)

By Jude Dry (205) for IndieWire (3,631) on 31 Jan 2019

With every note as predictable as the next, the movie just blends into a discordant mess…

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Review of Alita: Battle Angel (2019)

By Michael Nordine (446) for IndieWire (3,631) on 31 Jan 2019

Alita: Battle Angel is [Rodriguez’s] best film since he brought Frank Miller’s graphic novel to the screen, a sci-fi epic that does something…

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Review of The Boy Who Harnessed the Wind (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 30 Jan 2019

Ejiofor’s compassionate script, adapted from William’s 2009 memoir, is finely attuned to the cold realities that confront its warm characters…

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Review of Brittany Runs a Marathon (2019)

By Kate Erbland (681) for IndieWire (3,631) on 30 Jan 2019

Colaizzo’s script weaves in enough detail to explain some of Brittany’s demons, but Bell sells the tough stuff too, doing more with a cautious…

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Review of Blinded by the Light (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 30 Jan 2019

If you have even the slightest emotional connection to Springsteen’s music — if you’ve ever found salvation in a rock song, or desperately…

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Review of Apollo 11 (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 29 Jan 2019

It’s only a little while before this starts to feel like just another documentary, but even a short-lived miracle goes a long way…

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Review of After the Wedding (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 29 Jan 2019

There are flashes of subtle resentment to Williams’ performance that register as some of her best work in ages, so it’s unfortunate that…

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Review of Big Time Adolescence (2020)

By Eric Kohn (1,203) for IndieWire (3,631) on 29 Jan 2019

As coming-of-age stories about wayward teens go, writer-director Jason Orley’s debut is a sturdy, endearing portrait of youth in revolt that…

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Review of Fighting with My Family (2019)

By Kate Erbland (681) for IndieWire (3,631) on 29 Jan 2019

The beats of Fighting With My Family are comfortingly familiar, and the soap opera pomp of the wrestling world is eye-popping to both fans…

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Review of Velvet Buzzsaw (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Jan 2019

Gilroy’s film needed to be 60% better or 20% worse in order to transcend the forgettable silliness of its existence, but it could stand the…

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Review of Cold Pursuit (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Jan 2019

Cold Pursuit resolves as a riotously fun example of a director remaking their own film for the right reasons…

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Review of High Flying Bird (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Jan 2019

The film is funny, quick-witted, and even throws in a little sex for good measure…

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Review of The Lego Movie 2: The Second Part (2019)

By Jude Dry (205) for IndieWire (3,631) on 26 Jan 2019

The genius of the first movie was its ability to disguise a searing critique of capitalism inside a hilarious package, an idea that is genuinely…

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Review of Serenity (2019)

By Jude Dry (205) for indieWire (3,631) on 24 Jan 2019

The big reveal at the end of the second act is absurd enough to pump some adrenaline into the third act, but the movie drags on too long afterwards…

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Review of Rust Creek (2019)

By Jude Dry (205) for IndieWire (3,631) on 17 Jan 2019

The austere minimalism of Rust Creek works to the movie’s advantage…

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Review of Close (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 17 Jan 2019

Whatever inherent value there might be in gender-flipping such a generic template is mitigated by the movie’s reluctance to seize on the…

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Review of Egg (2019)

By Kate Erbland (681) for IndieWire (3,631) on 16 Jan 2019

Egg shows the Scottish actor-director’s continuing ability to ground her films with strong character work and a buoyant sense of humor…

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