Movie Reviews Published by Indiewire - Page 75 of 182

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Review of Rocketman (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 15 May 2019

Rather than revealing much about the man behind the music, Rocketman seems more content to hover inside of it, exploring his unique synthesis…

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Review of El Chicano (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 May 2019

El Chicano feels less like a cut-rate version of a comic book movie than it does an insanely over-budgeted pitch video…

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Review of The Wandering Earth (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 May 2019

Perhaps no other movie has better illustrated the golden rule of CGI: Just because you can, doesn’t mean you should…

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Review of The Sun Is Also a Star (2019)

By Jude Dry (205) for IndieWire (3,631) on 14 May 2019

While great direction isn’t the worst problem to have, the fact that the writing and acting couldn’t quite live up to their gorgeous surroundings…

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Review of The Dead Don't Die (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 May 2019

If Jarmusch’s latest often feels as though it lacks a pulse, this star-studded parable is held together by one consistent truth: When Hell…

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Review of Trial by Fire (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 12 May 2019

Trial by Fire is completely reignited by the scenes between Dern and O’Connell, who form a compelling bond through a thick sheet of plexiglass…

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Review of John Wick: Chapter 3 - Parabellum (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 09 May 2019

Giddy, exhausting, and breathtakingly violent…

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Review of Poms (2019)

By Jude Dry (205) for IndieWire (3,631) on 08 May 2019

If this is the best Hollywood can offer these women, it’s not their fault for wanting to work…

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Review of Wine Country (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 08 May 2019

A pleasant and perfectly watchable comedy that would have died on the vine in theaters, Wine Country is casual viewing done right…

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Review of The Hustle (2019)

By Kate Erbland (681) for IndieWire (3,631) on 08 May 2019

When The Hustle succeeds — in fits and starts, and with occasional big laughs — it’s wholly thanks to the dedication of Hathaway and…

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Review of Yesterday (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 04 May 2019

This sweet but vacuous exercise in suspending disbelief is an overstuffed and underwritten misfire…

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Review of Yesterday (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 May 2019

This sweet but vacuous exercise in suspending disbelief is an overstuffed and underwritten misfire…

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Review of Burning Cane (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 03 May 2019

For all these striking moments, Burning Cane can’t shake the feeling of a sketchbook loaded with ideas that could use more fleshing out…

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Review of Tolkien (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 May 2019

While it still dilutes Tolkien’s memory by molding his life to the narrow dimensions of a middle-brow feature that’s too safe for the arthouse…

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Review of Pokémon Detective Pikachu (2019)

By Kate Erbland (681) for IndieWire (3,631) on 01 May 2019

It seems that this particular game of Pokémon needed more time at the gym…

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Review of Linda Ronstadt: The Sound of My Voice (2019)

By Kate Erbland (681) for IndieWire (3,631) on 01 May 2019

A maddeningly shallow look at Ronstadt’s remarkable life…

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Review of UglyDolls (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 30 Apr 2019

The UglyDolls film makes the most obvious choice at every conceivable opportunity, and is all the more tolerable for that…

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Review of Come to Daddy (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 30 Apr 2019

No matter its oddball turns, Kiwi director Ant Timpson’s wild, unpredictable debut manages to deliver a gory hilarious father-son reunion…

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Review of Georgetown (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 30 Apr 2019

The way that the film resolves — or doesn’t — leaves the distinct impression that Waltz simply ran out of interest in this story, which…

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Review of Meeting Gorbachev (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Apr 2019

Not since Klaus Kinski has Herzog aimed his camera at such an uncontrollable subject, and that includes the erupting peaks of “Into the Volcano”…

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