Movie Reviews Published by Indiewire - Page 76 of 182

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Review of Recorder: The Marion Stokes Project (2019)

By Kate Erbland (681) for IndieWire (3,631) on 26 Apr 2019

The results are fascinating, weird, and often quite moving…

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Review of Avengers: Endgame (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 22 Apr 2019

As Endgame sputters to the finish line, it leaves the impression of witnessing a Marvel Movie Marathon compressed to three hours — and 58…

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Review of Body at Brighton Rock (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 Apr 2019

Body at Brighton Rock is the happy work of someone who misses when scrappy genre fare could have low stakes and still feel slightly dangerous;…

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Review of Someone Great (2019)

By Kate Erbland (681) for IndieWire (3,631) on 17 Apr 2019

The wit of Robinson’s series still occasionally peeks out in Someone Great, especially when her central trio are interacting, but smushed…

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Review of Stockholm (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Apr 2019

The best thing you can say about Stockholm is that it’s good enough to prove that a much better film could be made from this story…

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Review of Penguins (2019)

By Kate Erbland (681) for IndieWire (3,631) on 09 Apr 2019

With Penguins, frequent Disneynature filmmaker Alastair Fothergill and franchise newbie Jeff Wilson are working in a more minor key than such…

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Review of Hellboy (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 09 Apr 2019

Perhaps it’s appropriate that the 2019 version of Hellboy is busy to an exhausting degree, overloaded with apocalyptic fears, and seemingly…

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Review of Breakthrough (2019)

By Kate Erbland (681) for IndieWire (3,631) on 07 Apr 2019

There are bigger questions to ask here, but when it’s easier to roll out some simple images and wrapped-up answers, Breakthrough breaks down,…

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Review of The Haunting of Sharon Tate (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Apr 2019

The Haunting of Sharon Tate resolves as a cheap revenge fantasy that suggests its subjects only died because they couldn’t see the writing…

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Review of The Best of Enemies (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Apr 2019

Robin Bissell’s The Best of Enemies may not be some kind of game-changing corrective to all the retrograde films about race in America (we’re…

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Review of Missing Link (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Apr 2019

Missing Link is a sweet, touching, and seriously fun adventure comedy about two lost souls who are struggling to reconcile yesterday with tomorrow…

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Review of Honeyland (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 29 Mar 2019

This bitter and beautiful Sundance-winning doc focuses on a single beekeeper as though our collective future hinges on her hives…

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Review of The Chaperone (2019)

By Kate Erbland (681) for IndieWire (3,631) on 27 Mar 2019

While Moriarty’s novel functioned as a compelling story about two women from different backgrounds converging during a pivotal time in American…

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Review of Dumbo (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 26 Mar 2019

Like many (or all) of the movies Burton has made this century, Dumbo is a shallow pop spectacle that’s forced to rely on its more superficial…

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Review of Shazam! (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 23 Mar 2019

This heartfelt origin story is more than the sum of its immense charm and Spielbergian attention to detail…

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Review of The Dirt (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 Mar 2019

Rock biopics often struggle with the part after the party’s over, but The Dirt becomes unusually adrift; at times, you can’t even tell…

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Review of Tigerland (2019)

By Kate Erbland (681) for IndieWire (3,631) on 21 Mar 2019

You’ll have to wait a while before Tigerland introduces its eponymous stars, but like many elements of Ross Kauffman’s emotional, often…

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Review of Pet Sematary (2019)

By Britt Hayes (65) for IndieWire (3,631) on 16 Mar 2019

The new version of “Pet Sematary” is both darkly humorous and quite chilling, modernizing some of the cheesier emotional beats of that…

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Review of I Think We're Alone Now (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Mar 2019

Rather than forge a believable relationship between Grace and Del that stokes our interest in the future, this uneasy two-hander strings us…

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Review of Captive State (2019)

By Michael Nordine (446) for IndieWire (3,631) on 15 Mar 2019

Embedded in all this is a would-be message about those who trade freedom for security, the human spirit, and so on and so forth, all of which…

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