Movie Reviews Published by Indiewire - Page 74 of 182

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Review of Godzilla: King of the Monsters (2019)

By Kate Erbland (681) for IndieWire (3,631) on 27 May 2019

Godzilla’s interest in saving humanity never made much sense, but it’s this CGI creation with no dialogue that gives the film the continuity…

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Review of Tommaso (2020)

By Eric Kohn (1,203) for IndieWire (3,631) on 24 May 2019

Of course, it wouldn’t be a Ferrara movie without some jagged edges…

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Review of Frankie (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 23 May 2019

It drifts by with all the force of a mild summer breeze, and — as is typical of Sachs’ jewel-like work — it leaves you feeling like you…

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Review of Running with Beto (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 22 May 2019

Viewed on its own terms, Running With Beto consolidates the feel-good trajectory of O’Rourke’s run into an engaging package that showcases…

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Review of Parasite (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 May 2019

[A] furious and fiendishly well-crafted new film…

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Review of The Proposal (2019)

By Jude Dry (205) for IndieWire (3,631) on 22 May 2019

The film is itself a provocation; a fascinating document of a years-long conceptual project as well as the final (or next) piece of the complicated…

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Review of The Secret Life of Pets 2 (2019)

By Jude Dry (205) for IndieWire (3,631) on 22 May 2019

The sequel remains charming, beautifully animated, and often incredibly funny, but there’s a sense that writer Brian Lynch realized Max’s…

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Review of Aladdin (2019)

By Kate Erbland (681) for IndieWire (3,631) on 21 May 2019

Smith puts on such an outsized performance that it’s easy for him to overshadow its smaller joys — and when Genie is suddenly silenced…

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Review of Brightburn (2019)

By Kate Erbland (681) for IndieWire (3,631) on 21 May 2019

The film’s bent towards revisionist superhero history is certainly compelling, but stuck in the confines of the horror genre, it flames out…

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Review of Once Upon a Time... in Hollywood (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 20 May 2019

Tarantino’s desire to salute the creative thrill of storytelling is an inviting, welcome presence in American cinema, and his ninth feature…

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Review of The Lighthouse (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 20 May 2019

It’s a stunning showcase for Robert Pattinson and Willem Dafoe to unleash their wildest extremes, by positioning them at the center of a…

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Review of The Lighthouse (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 20 May 2019

It’s a stunning showcase for Robert Pattinson and Willem Dafoe to unleash their wildest extremes, by positioning them at the center of a…

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Review of Diego Maradona (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 19 May 2019

You couldn’t ask for a better match between filmmaker and subject…

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Review of A Hidden Life (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 19 May 2019

A Hidden Life is a lucid and profoundly defiant portrait of faith in crisis…

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Review of Portrait of a Lady on Fire (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 May 2019

Razor-sharp and shatteringly romantic ... as perfect a film as any to have premiered this year…

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Review of First Love (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 May 2019

Frequently sublime…

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Review of First Love (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 May 2019

Frequently sublime…

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Review of First Love (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 May 2019

Frequently sublime…

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Review of Pain and Glory (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 17 May 2019

The filmmaker’s best and most personal movie in years…

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Review of Atlantics (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 16 May 2019

Diop’s first feature doesn’t always fit together from a narrative perspective, but it musters such an absorbing vision of an alienated…

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