Movie Reviews Published by Indiewire - Page 36 of 182

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Review of Julia (2021)

By Kate Erbland (681) for IndieWire (3,631) on 03 Sep 2021

At just 95 minutes, Cohen and West hit the bullet points of Child’s life, much of it told through her own archival interviews and personal…

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Review of The Power of the Dog (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Sep 2021

The Power of the Dog sticks its teeth into you so fast and furtively that you may not feel the sting on your skin until after the credits roll,…

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Review of The Card Counter (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Sep 2021

That The Card Counter shakes your faith in the writer-director’s ability to beat the odds is part of its scabrous charm…

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Review of The Hand of God (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Sep 2021

The Hand of God doesn’t always find the clearest way of knotting these various stories together, and the film’s second half — replete…

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Review of Cinderella (2021)

By Kristen Lopez (178) for IndieWire (3,631) on 01 Sep 2021

Cannon’s take on Cinderella looks to be this year’s “Greatest Showman,” where the flaws in the narrative are nothing in comparison…

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Review of Cinderella (2021)

By Kristen Lopez (178) for IndieWire (3,631) on 01 Sep 2021

Cannon’s take on Cinderella looks to be this year’s “Greatest Showman,” where the flaws in the narrative are nothing in comparison…

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Review of Parallel Mothers (2021)

By Nicholas Barber (220) for IndieWire (3,631) on 01 Sep 2021

This is undoubtedly one of Almódovar’s breezier and more accessible domestic dramas…

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Review of He's All That (2021)

By Ryan Lattanzio (73) for IndieWire (3,631) on 27 Aug 2021

Despite the efforts of a bright young cast, this is a hollow and depressing Gen Z romantic comedy…

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Review of Awaken (2020)

By Eric Kohn (1,203) for IndieWire (3,631) on 26 Aug 2021

Awaken was reportedly shot over the course of five years and across 30 countries, yet all that time and globe-trotting effort yielded little…

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Review of Mad God (2021)

By Rafael Motamayor (108) for IndieWire (3,631) on 26 Aug 2021

After four decades of crafting creatures for iconic films, Phil Tippett has finally unleashed his magnum opus, and it is worth the wait…

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Review of Awaken (2021)

By Eric Kohn (1,203) for IndieWire (3,631) on 26 Aug 2021

Awaken was reportedly shot over the course of five years and across 30 countries, yet all that time and globe-trotting effort yielded little…

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Review of Together (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 26 Aug 2021

Together may not be the best pandemic movie about a poison-tongued couple stuck in lockdown together, but it’s the first to recognize that…

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Review of Bob Ross: Happy Accidents, Betrayal & Greed (2021)

By Kristen Lopez (178) for IndieWire (3,631) on 25 Aug 2021

This Bob Ross doc isn’t just messy, it one that paints a mixed portrait that’s hard to decipher…

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Review of Candyman (2021)

By Kate Erbland (681) for IndieWire (3,631) on 25 Aug 2021

While DaCosta ably toys with the usual genre trappings — jump scares, things that go bump in the night, eye-popping gore — the filmmaker,…

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Review of Shang-Chi and the Legend of the Ten Rings (2021)

By Kate Erbland (681) for IndieWire (3,631) on 23 Aug 2021

“Shang-Chi” may be built on familiar lines, but in the moments when it’s allowed to be its own film, it’s a vastly different (and vastly…

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Review of Sweet Girl (2021)

By Kristen Lopez (178) for IndieWire (3,631) on 22 Aug 2021

Sweet Girl is dumb in all the ways you expect, and yet with Isabella Merced things feel understandable…

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Review of PAW Patrol: The Movie (2021)

By Jude Dry (205) for IndieWire (3,631) on 20 Aug 2021

Before the movie came along, the show had an ardent critic in Liam Kennedy, a criminology professor who believes “PAW Patrol” “encourages…

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Review of The Protégé (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 19 Aug 2021

The Protégé never even begins to cohere as a story about paying for old sins (the ending is a “huh” of the highest order), and its ostensible…

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Review of The Meaning of Hitler (2021)

By Eric Kohn (1,203) for IndieWire (3,631) on 19 Aug 2021

The Meaning of Hitler doesn’t have to make sense of this decade’s chaos to clarify just how much it remains vulnerable to the same complaisant…

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Review of Zeros and Ones (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 19 Aug 2021

Zeros and Ones isn’t much of an entertaining sit — watching it feels like dusting off a cryptic artifact from a bygone civilization, its…

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