Movie Reviews Published by Indiewire - Page 35 of 182

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Review of The Guilty (2021)

By Kate Erbland (681) for IndieWire (3,631) on 10 Sep 2021

If you’ve seen Moller’s The Guilty, well, you’ve basically seen Fuqua’s, but Gyllenhaal’s performance adds a go-for-broke turn that…

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Review of The Last Duel (2021)

By Ben Croll (93) for IndieWire (3,631) on 10 Sep 2021

The Last Duel reveals itself as something all too rare on the current Hollywood field of battle: an intelligent and genuinely daring big budget…

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Review of Malignant (2021)

By Jude Dry (205) for IndieWire (3,631) on 09 Sep 2021

A humorless melodrama about a woman haunted by her past, Malignant sits somewhere between a slasher, a ghost story, and a possession flick,…

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Review of Dear Evan Hansen (2021)

By Tina Hassannia (118) for IndieWire (3,631) on 09 Sep 2021

Unfortunately, Stephen Chbosky’s poor directorial choices cancel out the rousing success Dear Evan Hansen was on stage, with a cascade of…

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Review of Blood Brothers: Malcolm X & Muhammad Ali (2021)

By Carlos Aguilar (278) for IndieWire (3,631) on 09 Sep 2021

Blood Brothers” is worthwhile for the introspective investigation of lives so often, in the public eye, devoid of the tangled humanity that…

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Review of Mothering Sunday (2021)

By Kate Erbland (681) for IndieWire (3,631) on 09 Sep 2021

Mothering Sunday pushes toward cut-and-dried conclusions, sewing up certain storylines with a finality that doesn’t befit the early sense…

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Review of Halloween Kills (2021)

By Ben Croll (93) for IndieWire (3,631) on 08 Sep 2021

If this bloody entr’acte, whose title addition works as both noun and verb, has little to offer but a jacked up body count on a bed of fan…

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Review of Azor (2021)

By Siddhant Adlakha (174) for IndieWire (3,631) on 08 Sep 2021

The film seldom wavers from its singular idea and feeling; tonally, it’s a stroll across a plateau by design, but it teeters constantly over…

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Review of Fauci (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 07 Sep 2021

Viewers are spared by the tender mercies of biodoc tropes, as “Fauci” puts a pin in the action to wind back the clock and walk us through…

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Review of Sundown (2022)

By Nicholas Barber (220) for IndieWire (3,631) on 06 Sep 2021

Roth’s expressions range from slightly dazed to slightly drunk, and so, as the days drift by, Sundown becomes a liberating blend of mystery…

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Review of Marcel the Shell with Shoes On (2022)

By Kate Erbland (681) for IndieWire (3,631) on 06 Sep 2021

Marcel the Shell seamlessly marries big ideas with charm and humor (and inventive stop-motion work to boot)…

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Review of Sundown (2022)

By Nicholas Barber (220) for IndieWire (3,631) on 06 Sep 2021

Roth’s expressions range from slightly dazed to slightly drunk, and so, as the days drift by, Sundown becomes a liberating blend of mystery…

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Review of Cyrano (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 05 Sep 2021

Is it good? In parts…

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Review of Yakuza Princess (2021)

By Carlos Aguilar (278) for IndieWire (3,631) on 05 Sep 2021

As an intellectually empty piece of genre cinema, “Yakuza Princess” can’t even sit alongside movies that offer similarly obtuse ideas…

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Review of Last Night in Soho (2021)

By Nicholas Barber (220) for IndieWire (3,631) on 04 Sep 2021

Left behind is [Wright's] trademark hyperactive editing and insistent post-modernism; in its place is flowing movement and intense emotion…

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Review of C'mon C'mon (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Sep 2021

The results are a bit more wishy-washy than usual…

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Review of King Richard (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Sep 2021

The film embodies its namesake’s oft-repeated — if increasingly suspect — ethos of making sure that fun comes first…

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Review of The Year of the Everlasting Storm (2021)

By Robert Daniels (336) for IndieWire (3,631) on 03 Sep 2021

The seven filmmakers at the center of “The Year of the Everlasting Storm” do give a slash of cathartic release, a dash of humor and a large…

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Review of Dune (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Sep 2021

In the end, Denis Villeneuve was all too right: Your television isn’t big enough for the scope of his Dune, but that’s only because this…

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Review of Spencer (2021)

By Ben Croll (93) for IndieWire (3,631) on 03 Sep 2021

Doing away with any pretense of docu-realism, Spencer is neither a film about specifics nor any of conventional biopic; it is instead a sort…

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