Movie Reviews Published by Indiewire - Page 37 of 182

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Review of Reminiscence (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 Aug 2021

It’s an absolute slog to watch Jackman row this way and that in search of something to justify this movie’s labored metaphors…

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Review of Evangelion: 3.0+1.0 Thrice Upon a Time (2021)

By Rafael Motamayor (108) for IndieWire (3,631) on 16 Aug 2021

Evangelion: 3.0+1.0 Thrice Upon a Time brings the long-delayed, highly anticipated tetralogy to a close with a bold, messy, uplifting, audacious,…

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Review of Demonic (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 16 Aug 2021

The 80 minutes of the movie that are set in flesh-and-blood reality can’t help but seem flat by comparison, as the thrust of the film’s…

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Review of Don't Breathe 2 (2021)

By Jude Dry (205) for IndieWire (3,631) on 12 Aug 2021

There may be fewer truly gory moments in Don’t Breathe 2 than in typical slasher fare, but they are just twisted enough to stick in the mind…

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Review of The Lost Leonardo (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Aug 2021

If this arresting documentary is too agog at its own story to intricately reckon with how 21st century geopolitics and technology have further…

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Review of Days (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Aug 2021

Days becomes such a resonant addition to Tsai’s exhumed body of work because the filmmaker recognizes and embraces that uncharacteristically…

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Review of The Kissing Booth 3 (2021)

By Kate Erbland (681) for IndieWire (3,631) on 10 Aug 2021

In the face of icky writing, limp directing, awful pacing, horrific green screen, and terrible jokes, star Joey King spent three film adaptations…

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Review of Respect (2021)

By Kate Erbland (681) for IndieWire (3,631) on 08 Aug 2021

So much of Respect is about Aretha wanting more — and so desiring to work for it — and it’s disheartening that this well-meaning exploration…

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Review of Free Guy (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 05 Aug 2021

Free Guy is nothing if not a movie that wins you over in spite of your better judgment and best defenses, but its “be the change you wish…

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Review of Beckett (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 04 Aug 2021

Thin and politically disengaged as this diverting Euro-thriller can be, it never forgets how even the most desperate of people can be left…

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Review of Naked Singularity (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Aug 2021

Naked Singularity is the work of an untested filmmaker who knows how to streamline but lacks the chutzpah to swing for the fences…

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Review of Vivo (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 29 Jul 2021

Vivo grows increasingly generic and forgettable as the film goes on, and the closer its furry hero gets to finding a silver lining, the more…

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Review of Alive: Who Is There? (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 29 Jul 2021

Vivo grows increasingly generic and forgettable as the film goes on, and the closer its furry hero gets to finding a silver lining, the more…

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Review of The Suicide Squad (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Jul 2021

The most fun and least depressing superhero movie in a very long time, Gunn’s deliriously ultra-violent “The Suicide Squad” wears the…

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Review of Jungle Cruise (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Jul 2021

Disney’s latest attraction just isn’t rousing enough to sustain the fun of a 20-minute ride for more than two hours, and the rewards are…

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Review of LAMB (2021)

By Eric Kohn (1,203) for IndieWire (3,631) on 26 Jul 2021

Lamb takes a low-key minimalist approach to its premise that invites a certain shock-and-awe reaction before doubling back to give it purpose…

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Review of The Green Knight (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 26 Jul 2021

Stoned out of its mind and shot with a genre-tweaking mastery that should make John Boorman proud, it’s also the rare movie that knows exactly…

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Review of Lamb (2021)

By Eric Kohn (1,203) for IndieWire (3,631) on 26 Jul 2021

Lamb takes a low-key minimalist approach to its premise that invites a certain shock-and-awe reaction before doubling back to give it purpose…

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Review of Woodstock 99: Peace, Love, and Rage (2021)

By Kristen Lopez (178) for IndieWire (3,631) on 23 Jul 2021

Setting aside its subjects’ lack of diversity, “Woodstock 99” is a must-watch documentary that reminds us, yet again, about history’s…

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Review of Val (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 23 Jul 2021

This is the role that he’s been rehearsing for his entire life, and Val is far more rewarding if you think about it not as an autobiographical…

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