Movie Reviews Published by Indiewire - Page 3 of 182

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Review of Prisoner's Daughter (2023)

By Samantha Bergeson (25) for IndieWire (3,631) on 29 Jun 2023

Simply put, Cox is the saving grace of his latest feature, Prisoner’s Daughter, a predictable family drama that has heart thanks to grounding…

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Review of Every Body (2023)

By Samantha Bergeson (25) for IndieWire (3,631) on 28 Jun 2023

Every Body” is a beautiful and cathartic celebration of intersexuality — and should be mandatory viewing for people of all genders…

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Review of The Perfect Find (2023)

By Samantha Bergeson (25) for IndieWire (3,631) on 22 Jun 2023

Director Perrier (“Jezebel,” “Unprisoned”) has helmed a standout rom-com, bolstered by Union’s vision as a producer and lead star…

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Review of The Stroll (2023)

By Jude Dry (205) for IndieWire (3,631) on 21 Jun 2023

Enduring racist policing, violence, poverty, and employment discrimination; they also found joy, humor, sisterhood, and community…

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Review of No Hard Feelings (2023)

By Jude Dry (205) for IndieWire (3,631) on 21 Jun 2023

While there are moments of committed physical comedy and a few good line deliveries, the circumstances are neither believable nor outrageous…

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Review of Take Care of Maya (2023)

By Kate Erbland (681) for IndieWire (3,631) on 20 Jun 2023

That sense of a story rendered incomplete, of answers we may never fully know, is at the heart of the Kowalskis’ story, but Roosevelt’s…

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Review of Extraction 2 (2023)

By Kate Erbland (681) for IndieWire (3,631) on 15 Jun 2023

When this thing moves — and, wow, does it ever — it offers one of the best examples yet of what Netflix bucks can buy…

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Review of The Blackening (2023)

By Rafael Motamayor (108) for IndieWire (3,631) on 14 Jun 2023

More importantly, the film specifically examines Blackness through the lens of whiteness, making a white man the enemy and showing how an outside…

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Review of Maggie Moore(s) (2023)

By Samantha Bergeson (25) for IndieWire (3,631) on 13 Jun 2023

The “aw shucks” small town vibe of it all, complete with Hamm being seen as the most eligible bachelor around, eventually codes Maggie…

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Review of Blue Jean (2023)

By Jude Dry (205) for IndieWire (3,631) on 09 Jun 2023

Featuring a stirring breakout performance from the luminous Rosy McEwan, Blue Jean grounds the political with the personal — without losing…

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Review of Shooting Stars (2023)

By Samantha Bergeson (25) for IndieWire (3,631) on 06 Jun 2023

If you’re a die-hard James fan, and have a high tolerance for self-congratulatory films, Shooting Stars might be worth the almost two hours…

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Review of The Flash (2023)

By Kate Erbland (681) for IndieWire (3,631) on 06 Jun 2023

In its best moments, The Flash touches on something new and exciting, but too often, its the past that tugs on, keeping it from speeding ahead…

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Review of Transformers: Rise of the Beasts (2023)

By Christian Zilko (32) for IndieWire (3,631) on 05 Jun 2023

The most tragic part of the entire debacle is the realization that Hasbro saw this movie as an opportunity to introduce grander storytelling…

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Review of Spider-Man: Across the Spider-Verse (2023)

By Kate Erbland (681) for IndieWire (3,631) on 31 May 2023

And if all of this sounds like a tremendous amount to pack into a single film, there’s the rub…

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Review of Elemental (2023)

By Siddhant Adlakha (174) for IndieWire (3,631) on 27 May 2023

Despite its confused and overstuffed worldbuilding, “Elemental” has enough charming moments to get by, even if its meaning lies less in…

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Review of Kandahar (2023)

By Christian Zilko (32) for IndieWire (3,631) on 26 May 2023

For better or worse, Kandahar is a throwback to the kind of Tom Clancy-inspired geopolitical thrillers that used to be a bi-weekly occurrence…

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Review of The Boogeyman (2023)

By Kate Erbland (681) for IndieWire (3,631) on 25 May 2023

There’s nothing scarier than things that go bump in the night, but the terror is easily dispelled once we turn on the light and see what’s…

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Review of About My Father (2023)

By Jude Dry (205) for IndieWire (3,631) on 24 May 2023

Secure in his standing as a marquis comedian, Maniscalco makes movies like a guy with nothing to prove, and his confidence buoys and brightens…

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Review of Asteroid City (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 23 May 2023

If all of Anderson’s movies are sustained by the tension between order and chaos, uncertainty and doubt, “Asteroid City” is the first…

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Review of The Little Mermaid (2023)

By Kate Erbland (681) for IndieWire (3,631) on 22 May 2023

That problem: Does it feel real…

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